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This book is a selection of photographs of the artist himself, friends (dead and alive), relatives, and the wooden boy (soon to be a real boy) Pinocchio. Jim Dine is attempting in these works to bring, through memory, to life the people around him now and from the past. He has found a way to put aside mortality by the way the camera continually lies.
The architect Wiel Arets is also known as a designer, author, and editor of many books and series of books, and is a professor at the arts universities in Berlin, Madrid, and Washington. In this publication he links his interest in architecture to a passion for books. This book presents about ten projects by Wiel Arets, Architects (WAA), which was founded in 1993 and has branches in Amsterdam, Berlin, Maastricht, and Zurich. At the same time it is a book about the increasing importance of architecture books and their design development in recent decades. The concentrated photographs by Dutch photographer Bas Princen not only capture the atmosphere of the works and buildings, but also convey the impact and powerful symbolism of architecture in its primeval sense, as protective shelter.0Exhibition: National Museum of Photography, Copenhagen, Denmark (October 2013-January 2014) / CentrePasqArt, Biel, Switzerland (February 2014- ).
Although these series illustrate distinct subject matter, they share Crewdson's unique preoccupations and compelling aesthetic. "Fireflies" is the result of two solitary summer months spent photographing the fireflies that came alive at dusk each evening. "Beneath the Roses" depicts the homes, streets, and forests of unnamed small towns, revealing emotionally charged moments in the lives of seemingly ordinary individuals. In "Sanctuary," haunting images of the legendary Italian film studio Cinecitta capture the beauty of the decaying film sets. Texts from curators of the exhibition and Crewdson himself offer fresh insight and examine the parallels between these seemingly disparate subjects. ...
"Featuring the artwork of more than 40 international artists working in video, music, comics, flash animation, print, sculpture, installation, collage, t-shirts, and various other media, the show will explore the response of artists to the current period of expanded and endless wars "--Publisher's website.
After thirty-three years, Paula Chamlee returned home to photograph and write about the farm where she grew up on the High Plains of the Texas Panhandle. This document provides a look at her home place and reveals a way of life and value system that are quickly vanishing. It attempts to evoke the flavour of farm life in the twentieth century.
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This open access book presents a comprehensive collection of the European Language Equality (ELE) project’s results, its strategic agenda and roadmap with key recommendations to the European Union on how to achieve digital language equality in Europe by 2030. The fabric of the EU linguistic landscape comprises 24 official languages and over 60 regional and minority languages. However, language barriers still hamper communication and the free flow of information. Multilingualism is a key cultural cornerstone of Europe, signifying what it means to be and to feel European. Various studies and resolutions have found a striking imbalance in the support of Europe’s languages through technologi...
In 1996 Toft spent six months in the middle and upper reaches of the Whanganui River in an area known as the King Country. Here he met Maori who were in the process of reversing the colonisation of their people and returning to their ancestral land, Mangapapapa which is on the steep banks of the river inside Whanganui National Park. At the end of his journey Toft was given the Maori name Pouma Pokai-Whenua. Returning twenty years later to rekindle the spiritual kinship he had experienced, Toft began to work on this book. Its narrative is situated within the context of the current Whanganui River Deed of Settlement, Ruruku Whakatupua and the projects led by local Maori to settle historical grievances with the government dating back to the 1870s.
Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.