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Syntactic dependencies are often non-local: They can involve two positions in a syntactic structure whose correspondence cannot be captured by invoking concepts like minimal clause or predicate/argument structure. Relevant phenomena include long-distance movement, long-distance reflexivization, long-distance agreement, control, non-local deletion, long-distance case assignment, consecutio temporum, extended scope of negation, and semantic binding of pronouns. A recurring strategy pursued in many contemporary syntactic theories is to model cases of non-local dependencies in a strictly local way, by successively passing on the relevant information in small domains of syntactic structures. The ...
This book explores the syntactic and semantic properties of movement and adjunction in natural language. A precise formulation of minimalist syntax is proposed, guided by an independently motivated hypothesis about the composition of neo-Davidsonian logical forms, in which there is no atomic movement operation and no atomic adjunction operation. The terms 'movement' and 'adjunction' serve only as convenient labels for certain combinations of other, primitive operations, and as a result the system derives non-trivial predictions about how movement and adjunction should interact; in particular, it yields natural explanatory accounts of the constituency of adjunction structures, the possibility of counter-cyclic attachment, and the prohibitions on extraction from adjoined domains (adjunct islands) and from moved domains (freezing effects). This work serves as a case study in deriving explanations for syntactic patterns from a restrictive theory of semantic composition, and in using an explicit grammatical framework to inform rigourous minimalist theorising.
This illustrated book focuses on the aesthetic impact ancient art had on twentieth-century artists Picasso, de Chirico, Léger, and Picabia between 1906 and 1936.
Research monographs (which may be based on PhD works).
The book is a qualitative and quantitative investigation into the Catalan clitic system from Old to Modern Catalan. Building on the Minimalist Program, the author shows that a number of facts about Old Romance clitic placement that previously have either not been accounted for or have received unsatisfactory treatment can be explained in a principled way once a strict division of labor between syntax and phonology is adopted.
This book addresses the role and potential of literature in the process of contesting and re-evaluating concepts of nature and animality, describing one’s individual environment as the starting point for such negotiations. It employs the notion of the ‘literary event’ to discuss the specific literary quality of verbal art conceptualised as EnvironMentality. EnvironMentality is grounded on the understanding that fiction does not explain or second scientific and philosophical notions but that it poses a fundamental challenge to any form of knowledge manifesting in processes determined by the human capacity to think beyond a given hermeneutic situation. Bartosch foregrounds the dialectics of understanding the other by means of literary interpretation in ecocritical readings of novels by Amitav Ghosh, Zakes Mda, Yann Martel, Margaret Atwood and J.M. Coetzee, arguing that EnvironMentality helps us as readers of fiction to learn from the books we read that which can only be learned by means of reading: to “think like a mountain” (Aldo Leopold) and to know “what it is like to be a bat” (Thomas Nagel).