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Government through Culture and the Contemporary French Right
Culture, understood broadly, lay at the heart of contrasting right-wing strategies for government in France during the pivotal decade of 2002-2012. Looking at issues of secularism, education, televisual performance, public memory and nation-branding Ahearne analyses how presidents Chirac and Sarkozy sought to redefine contemporary French identity.
Intellectuals, Culture and Public Policy in France
French intellectuals have always defined themselves in political terms, typically as opponents to a corrupt government—but challenging state authority is not the only way intellectuals in France have exerted political influence. Jeremy Aherne invokes a neglected dimension of French intellectuals’ practice, where instead of denouncing the worlds of government and public policy, French intellectuals become voluntarily entangled within them The book consists of a series of case studies exploring policy domains from religion and secularization to educational reform and the media. It explores the political engagement of intellectuals such as Pierre Bourdieu, Michel de Certeau, and André Malraux, and will be required reading for scholars of French political and social history.
Michel de Certeau
Since his death in 1986, Michel de Certeau's reputation as athinker has steadily grown both in France and throughout theEnglish-speaking world. His work is extraordinarily innovative andwide-ranging, cutting across issues in historiography, literary andcultural studies, anthropology, sociology, theology, philosophy andpsychoanalysis. This book represents the first full-length study of Certeau'sthought. It is organized around the central theme of interpretationand alterity, which Ahearne uses to illuminate Certeau's work as awhole. The author also examines Certeau's theory and practice ofhistoriography; his reflection on the relations between changinghistorical forms of writing, reading and o...
Policy and the Popular
The book is an interdisciplinary exploration of the complexities of ‘popular’ culture as a category of public policy. It approaches the notions of ‘cultural policy’ and ‘popular culture’ flexibly, examining what each comes to mean, explicitly or implicitly, in relation to the other. This generates a rich variety of approaches, but also a number of identifiable commonalities. We start from the proposition that 'popular culture' is largely absent as an explicit category of arts policy and debate today. The ‘arts’ are still, in practice, construed in terms of elite culture (despite claims to the contrary), while artefacts such as popular music, television, fashion, and so on are...
Erasmus
This book is a sequel to Nathan Ron's Erasmus and the “Other.” Should we consider Erasmus an involved or public intellectual alongside figures such as Machiavelli, Milton, Locke, Voltaire, and Montesquieu? Was Erasmus really an independent intellectual? In Ron's estimation, Erasmus did not fully live up to his professed principles of Christian peace. Despite the anti-war preaching so eminent in his writings, he made no stand against the warlike and expansionist foreign policies of specific European kings of his era, and even praised the glory won by Francis I on the battlefield of Marignano (1515). Furthermore, in the face of Henry VIII’s execution of his beloved Thomas More and John Fisher, and the atrocities committed by the Spanish against indigenous peoples in the New World, Erasmus preferred self-censorship to expressions of protest or criticism and did not step forward to reproach kings of their misdeeds or crimes.
The Irish Revival
The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the informa...
Jacques Rancière
This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Rancière’s thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique of his former teacher Louis Althusser, the book tracks the subsequent elaboration of Rancière’s highly original conception of equality. This app...
The Politics and Poetics of Everyday Life
Using the concept of the everyday as a lever for social transformation The texts in this volume represent Kristin Ross’s attempt to think the question of the everyday across a range of discourses, practices and knowledges, from philosophy to history, from the visual arts to popular fiction, all the way to the forms taken by collective political action in the territorial struggles of today. If everyday life is, as many have come to believe, the ideal vantage point for an analysis of the social, it is also the crucial first step in its transformation. The volume opens with a return to Henri Lefebvre’s powerful attempt to use the everyday as both residue and resource, as the site of profoun...
Popular Culture
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Fictions of the Press in Nineteenth-Century France
This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honoré de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper’s heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms – fiction and journalism – came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.
