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Playbook/monologues.
The way some introductory acting books are written, it seems that a literal leg break is your best option. In The Young Actor's Handbook, Jeremy Kruse, an actor, writer, producer, and director who teaches method acting, acting for camera, improvisation, and sketch comedy at The Lee Strasberg Theatre and Film Institute in New York, mends this mangled genre, distilling invaluable lessons and years of experience down to a lean, mean, intuitive hundred page primer. Rather than bludgeoning the uninitiated with dense paragraphs, vague concepts, and opaque examples, The Young Actor's Handbook ignites the beginning actor's creative soul with inspirational acting exercises, acting theory, writing exe...
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In 1513 two Camaldolese hermits, Paolo Giustiniani and Pietro Querini, presented the newly elected Pope Leo X a Libellus, or small book, offering a variety of suggestions for what they believed were needed reforms in the Roman Catholic Church. Chief among their recommendations was a crusade against the Ottoman Turks and, ultimately, all of Islam. In A Crusade Against the Turks as a Means of Reforming the Church: Two Camaldolese Hermits’ Advice for Pope Leo X, James G. Kroemer introduces the pope who received the Libellus, and the hermits who wrote and sent it. Kroemer explains why the hermits believed Islam was a danger to Christendom, and what their strategy was to cleanse the world of this perceived threat. The Augustinian Friar Martin Luther is presented as one who also advocated church reform, but questioned using a crusade against Islam as a means of attaining needed changes. This book delves into the desire held by some devout people of faith who wish to achieve what they may consider religious purity at any cost, even by force if necessary.
'Masculinity and the Hunt' traces the imagery of the hunt in English literature of the 16th century, exploring a set of practices and motifs that are central to the culture of the period.
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From the middle of the fifteenth century a distinctively Roman Renaissance occurred. A shared outlook, a persistent set of intellectual concerns, similar cultural assumptions and a commitment to common ideological aims bound Roman humanists and artists to a uniquely Roman world, different from Florence, Venice, and other Italian and European centers.This book provides the first comprehensive portrait of the Roman Renaissance world. Charles Stinger probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527. He demonstrat...
The theater of the 21st century, in many ways, is expanding to require new muscles of its actors, and so should their scene choices. Today, amid flourishing new play resources, it can be difficult to nail down contemporary scenes for two people. These scenes, all culled from plays written between 2000 and 2016, are useful to actors between the ages of 15 and 30. They range from about two to seven minutes' running time – appropriate for different classroom explorations – and are grouped by scenes for two males, two females, and one male and one female. Contemporary Scenes for Twentysomethings offers the opportunity for emerging actors to explore work by playwrights, both emerging and esta...
While the majority of these essays are about wars fought against Venice's enemies or on the building and defence of Venetian and other fortifications, there are also essays on other aspects of Venetian life and art: on Giorgione's earliest work; on the career of a Venetian pope; on the building of the Ca' d'Oro; and on the Diarii of Marino Sanuto.
The theater of the 21st century, in many ways, is expanding to require new muscles of its actors, and so should their monologue choices. Contemporary Monologues for Twentysomethings is a compilation of monologues for actors ages 15 to 30, incorporating characters from a variety of backgrounds with different stories to tell, giving you the chance to explore those who are close to you and those who may come from someplace else. These monologues are compiled in order of length, with the shortest coming in a little under a minute and the longer pieces running closer to four minutes. All from plays written between 2000 and 2016, the monologues in this book are useful both for exploration in a cla...