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“As simple as burek” is a popular phrase used by many young people in Slovenia. In this book Jernej Mlekuž maintains that the truth is just the opposite. The burek is a pie made of pastry dough filled with various fillings that is well-known in the Balkans, and also in Turkey and the Near East by other names. Whether on the plate or as a cultural artifact, it is in fact, not that simple. After a brief stroll through its innocent history, Mlekuž focuses on the present state of the burek, after parasitical ideologies had attached themselves to it and poisoned its discourses. In Slovenia, the burek has become a loaded metaphor for the Balkans and immigrants from the republics of the forme...
?As simple as burek? is a popular phrase used by many young people in Slovenia. In this book Jernej Mleku? maintains that the truth is just the opposite. The burek is a pie made of pastry dough filled with various fillings that is well-known in the Balkans, and also in Turkey and the Near East by other names. Whether on the plate or as a cultural artifact, it is in fact, not that simple. After a brief stroll through its innocent history, Mleku? focuses on the present state of the burek, after parasitical ideologies had attached themselves to it and poisoned its discourses. In Slovenia, the burek has become a loaded metaphor for the Balkans and immigrants from the republics of the former Soci...
Aleksandrinstvo, the women migration from a small European country to prosperous Egypt (1870-1950) brought with it dramatic changes in the role of women and men, in the value placed on women's work within the traditional economy and within the internal dynamics of their society of origin, both at the level of families and the wider community as well as in the relationships between generations. This emigration had a profound impact on women's self-esteem and at the same time on the public image of migrants as non-conventional female characters whose reputation fluctuated between silent thankful adoration and loud moral condemnation. It is thus not surprising that the phenomenon was, for half a century, buried under a thick blanket of denial and traumatic memories, which this book is trying to finally remove.
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In this collection of new essays, Sander Gilman muses on Jewish memory and representation throughout the twentieth-century. Bringing together the worlds of literature, medicine, and popular culture in his characteristic ways, Gilman looks at new, post-diasporic ways of understanding the limits of Jewish identity. Topics include the development of the genre of Holocaust comedy, the imagination of the relationship of the body, disease, and identity, and the place of Jews in today's multicultural society.
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