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The British architect Sir Edwin Lutyens (1869-1944) designed 140 cemeteries in the countryside of Flanders and Northern France for soldiers killed in the First World War. The cemeteries can be regarded as an imprint, as it were, of the former battlefront on the map of Europe. All are designed to principles established beforehand, including uniform gravestones, a large Stone of Remembrance and a large cross. Yet the difference in size, alignment and provenance make them all unique variations on the themes in question. The most memorable aspects are their meticulously chosen position in the landscape, the varied selection of trees and other greenery and the architecture of the entrance and shelter buildings. This illustrated book charts the history of the designs and exposes the underlying principle of order and variation in the architecture in an exhaustive landscape-architectural analysis. All 140 cemeteries are fully documented with references to the places where they are to be found.
This book explores five cases of monument and public commemorative space related to World War II (WWII) in contemporary China (Mainland), Hong Kong and Taiwan, all of which were built either prior to or right after the end of the War and their physical existence still remains. Through the study on the monuments, the project illustrates past and ongoing controversies and contestations over Chinese nation, sovereignty, modernism and identity. Despite their historical affinities, the three societies in question, namely, Mainland China, Hong Kong and Taiwan, vary in their own ways of telling, remembering and forgetting WWII. These divergences are not only rooted in their different political circumstances and social experiences, but also in their current competitions, confrontations and integrations. This book will be of great interest to historians, sinologists and analysts of new Asian nationalism.
This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanović explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.
Endurance was an inherent part of the First World War. The chapters in this collection explore the concept in New Zealand and Australia. Researchers from a range of backgrounds and disciplines address what it meant for New Zealanders and Australians to endure the First World War, and how the war endured through the Twentieth Century. Soldiers and civilians alike endured hardship, discomfort, fears and anxieties during the war. Officials and organisations faced unprecedented demands on their time and resources, while Maori, Australian Aborigines, Anglo-Indian New Zealanders and children sought their own ways to contribute and be acknowledged. Family-members in Australia and New Zealand endured uncertainty about their loved ones’ fates on distant shores. Once the war ended, different forms of endurance emerged as responses, memories, myths and memorials quickly took shape and influenced the ways in which New Zealanders and Australians understood the conflict. The collection is divided into the themes of Institutional Endurance, Home Front Endurance, Battlefield Endurance, Race and Endurance, and Memorials.
At the end of World War II, a young British architect was appointed to design a series of cemeteries and memorials across Asia for the war dead. Colin St Clair Oakes, who had fought in the brutal Burma campaign, was the only veteran of the recent war among the five principal architects of the Imperial War Graves Commission. Completed in 1957, Kranji War Cemetery and Memorial in Singapore is a masterwork of Modernist architecture - a culmination of Oakes' experiences in war and his evolution as an architect. Richly illustrated with photographs, maps and architectural plans, and drawing on extensive archival research and interviews in Europe, Australia and Asia, this is a riveting account of a world shattered by war, and man's heroic efforts to recover, remember and rebuild.
Over het werk van de stedenbouwkundige / stadsarchitekt Ton Schaap.
The book that you are considering buying is nothing short of a VIP Pass to Enlightenment, written by the UFC's most infamous and feared destroyer of men-Chael P. Sonnen. Backwoodsmen and unlearned folk call him the Walking Thesaurus. His contemporaries have bestowed upon him the title Sir Sonnen. And those dwelling in the forgotten, forlorn jungles south of the equator reverently refer to him as filho da puta, a term Sonnen personally deciphered using his mastery of linguistics. It means, simply, "the Great and Humble Bearer of Knowledge." In the coming pages, Sonnen's commentary and tales of heroic adventure will initiate you into the world of superhuman greatness. Allow him to carry you li...
Annual over-all view of education at the Amsterdam Academy of Architecture.
(Reis)gids voor moderne Nederlandse architectuur waarin ruim 700 objecten worden afgebeeld en beknopt beschreven.