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Medicine Before Science
This book offers an introduction to the history of university-trained physicians from the middle ages to the eighteenth-century Enlightenment. These were the elite, in reputation and rewards, and they were successful. Yet we can form little idea of their clinical effectiveness, and to modern eyes their theory and practice often seems bizarre. But the historical evidence is that they were judged on other criteria, and the argument of this book is that these physicians helped to construct the expectations of society--and met them accordingly.
The Restoration Mind
Through the inclusion of essays by leading Restoration scholars from around the world, this book attempts to fulfill a much-needed function for serious students of the period and uses a culture-based approach to offer a general theory regarding the Restoration mentality. The editor, W. Gerald Marshall, addresses the serious lack of an interdisciplinary, culture-based study of this important era.
The Oxford Handbook of the History of Medicine
In three sections, the Oxford Handbook of the History of Medicine celebrates the richness and variety of medical history around the world. It explore medical developments and trends in writing history according to period, place, and theme.
The Body as Object and Instrument of Knowledge
It was in 1660s England, according to the received view, in the Royal Society of London, that science acquired the form of empirical enquiry we recognize as our own: an open, collaborative experimental practice, mediated by specially-designed instruments, supported by civil discourse, stressing accuracy and replicability. Guided by the philosophy of Francis Bacon, by Protestant ideas of this worldly benevolence, by gentlemanly codes of decorum and by a dominant interest in mechanics and the mechanical structure of the universe, the members of the Royal Society created a novel experimental practice that superseded former modes of empirical inquiry, from Aristotelian observations to alchemical...
The Courtiers' Anatomists
"The Courtiers Anatomists" is about dead bodies and live animals in Louis XIV s Paris. By exploring the practice of seventeenth-century anatomy, Anita Guerrini reveals how animals were central to collecting, describing, and classifyingnatural historyand how anatomy and natural history were linked through animal dissection and vivisection. She looks at the early modern animal project, and particularly at Joseph-Guichard Duverney and Claude Perrault, in the context of the court, the city of Paris, and burgeoning audiences for natural history. The Academy and the King s Garden were the two main sites in Paris for the performance of natural history, and much of the Scientific Revolution in Franc...
The Language of the Heart, 1600-1750
Erickson (English, U. of California-Santa Barbara) examines both scientific and romantic portrayals of the human heart in early modern English literature. After reviewing the Biblical heart, he considers William Harvey's model of a phallic pump in a feminized body, Milton's Paradise Lost, Richardson's Clarissa, Aphra Behn's Oroonoke as a women's perspective, and other works. Annotation copyrighted by Book News, Inc., Portland, OR
The Body Emblazoned
An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political.
