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Barrel of Monkeys
Amazing! -Sammy Harkham Florent Ruppert (b. 1979) and Jerome Mulot (b. 1981) began their creative partnership as art students in Dijon, France. Their intensely collaborative comics are drawn by both artists in a shared visual style - simultaneously abstract and gestural - that obscures the individual contribution of either hand. Throughout their work, Ruppert and Mulot deftly interweave the naturalistic and the synthetic, playfully manipulating productive tensions in comics, cognition and social culture. Their complex and dazzling comics pages incorporate visual devices from related media, including film and optical toys. Their cinematic figure drawing enlivens mask-like, schematic faces tha...
Portrait of a Drunk
In this graphic novel, three cutting-edge, world-renowned cartoonists team up to tell a tale of an 18th-century pirate ― one who's more gallows fodder than a Hollywood swashbuckler. Guy is no master mariner, with a clipped red (or black) beard. He's just an ordinary member of the crew ― able enough, but also a lazy, cowardly liar, a drunkard, and a thief. His story is told in two allegorical parts: "The Blowout" and "The Hangover." Three contemporary comics titans, Belgian Olivier Schrauwen (Parallel Lives) and the French duo Ruppert and Mulot (The Perineum Technique) collaborate to bring you the best pictorial and narrative elements of the great tales of the sea ― bright colors, grand battles, gallows humor ― in this tour de force of black comedy.
The Narratology of Comic Art
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.
Olympia
Meet Alex, Carole, and Sam: the most notorious trio of cat burglars of the 21st century, starring in this graphic novel sequel.
Les week-ends de Ruppert & Mulot
Ruppert et Mulot sont des inventeurs graphiques. Depuis leurs débuts à l'Association jusqu'à leurs récents succès dans la collection "Aire Libre" ? "La technique du périnée" ou encore "La grande odalisque" et "Olympia" en collaboration avec Bastien Vivès -, en passant par leurs travaux plastiques et expositions diverses, les dessinateurs de ce binôme n'ont eu de cesse de réinventer, avec humour et légèreté, le langage de la bande dessinée. Initialement prépubliés dans le supplément "Culture & idées" du journal Le Monde, Les week-ends de Ruppert & Mulot sont leur nouvelle trouvaille narrative : des strips verticaux qui jouent sur l'espace et les habitudes de lecture, émaillés d'un ton absurde et d'un sens aigu du dialogue. Avec un format inédit dans la collection "Aire Libre", ces perles d'humour y trouvent pourtant très logiquement leur place, et ne donnent qu'une envie : passer tous nos week-ends avec Ruppert et Mulot !
The Grande Odalisque
Alex and Carole, friends since childhood, are now (literal) partners in crime. But the heist - to steal the Ingres painting The Grande Odalisque from the Louvre in Paris - is too much for the duo to handle, so they bring in Clarence, a bureaucrat’s son with a price on his head by a Mexican drug cartel and, more importantly, an arms dealer. Next is Sam, a stunt motorcyclist and boxer by trade, who proves trigger happy with tranquilizer darts. Using soda can smoke bombs, rocket launchers, and hang gliders, Alex, Carole, and Sam set off a set of circumstances that results in a battle with the French Special Forces - and their partnership, which was on the rocks, will never be the same again. Ruppert and Mulot, two of the most innovative comic creators in the world, team up with multiple Angouleme prize winner Bastien Vives to bring you this impossibly funny, violent, and sexy action-packed thriller.
The Butchery
The Butchery is composed of the little moments that make and break a relationship: lively dancing, silent strolls hand in hand, stilted phone calls, tearful pillow talk. Rendered with delicate colored pencils and an elegant use of white space, this story achieves an emotional clarity through its skillful brevity. At turns tender, agonizing, and darkly humorous, The Butchery is painfully relatable to anyone who has loved and lost.
Factory Summers
For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits. Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the...
The Extraordinary Part - Volume 1 - Orsay's Hands
Nineteen-year-old Orsay lives an uneventful life in the French countryside, until the day he gains extraordinary powers in his hands after an encounter with a mysterious creature known as a whol. On a trip to Paris in search of a cure, he meets and falls for Basma, a passionate activist for whols' rights. But Orsay isn't convinced that whols should be considered equal to humans. Especially once Melek, another human with the same powers, embarks on a murderous rampage to avenge those she sees as her kin.
Parallel Lives
This collects six wildly inventive short comics stories that might collectively be dubbed “speculative memoir.” Schrauwen’s deadpan depictions of his and his offspring's upcoming lives include alien abduction, dialogue with future agents, and coded messages in envelopes at breakfast.
