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Why Photography Matters
A lucid and wide-ranging meditation on why photography is unique among the picture-making arts. Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.
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Courage Above All Things
For a half century, John Ellis Wool (1784–1869) was one of America’s most illustrious figures—most notably as an officer in the United States Army during the War of 1812, the Mexican-American War, and the Civil War. At the onset of the Civil War, when he assumed command of the Department of the East, Wool had been a brigadier general for twenty years and, at age seventy-seven, was the oldest general on either side of the conflict. Courage Above All Things marks the first full biography of Wool, who aside from his unparalleled military service, figured prominently in many critical moments in nineteenth-century U.S. history. At the time of his death in 2016, Harwood Hinton, a scholar wit...
Ebony
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Oakland Noir
“Wonderfully, in Akashic’s Oakland Noir, the stereotypes about the city suffer the fate of your average noir character—they die brutally.” —San Francisco Chronicle In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller (the “Czar of Noir”), this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint. Oakland Noir offers stories by Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harr...
Walker Evans at Work
Through the evidence of trial and error in successive images and through his own word's, this book shows how Hunter Evans worked. The 747 photographs document chronologically his choice of subject and his lifelong technical experimentation.
Wrecked Lives and Lost Souls
Growing up, Jerry Thompson knew only that his grandfather was a gritty, “mixed-blood” Cherokee cowboy named Joe Lynch Davis. That was all anyone cared to say about the man. But after Thompson’s mother died, the award-winning historian discovered a shoebox full of letters that held the key to a long-lost family history of passion, violence, and despair. Wrecked Lives and Lost Souls, the result of Thompson’s sleuthing into his family’s past, uncovers the lawless life and times of a man at the center of systematic cattle rustling, feuding, gun battles, a bloody range war, bank robberies, and train heists in early 1900s Indian Territory and Oklahoma. Through painstaking detective work ...
My Life in the Klan
"A true story by the first investigative reporter to infiltrate the Ku Klux Klan"--Jacket subtitle. Includes material on David Duke.
Cascadia's Fault
A thrillingly rendered, yet “level–headed” look at the Cascadia Subduction Zone and the devastating natural disasters it promises (Booklist) There is a crack in the earth's crust that runs roughly 31 miles offshore, approximately 683 miles from Northern California up through Vancouver Island off the coast of British Columbia. The Cascadia Subduction Zone has generated massive earthquakes over and over again throughout geologic time—at least thirty–six major events in the last 10,000 years. This fault generates a monster earthquake about every 500 years. And the monster is due to return at any time. It could happen 200 years from now, or it could be tonight. The Cascadia Subduction ...
Truth and Photography
In these essays Thompson--a professional photographer since 1973--explores the many-leveled relationship between seeing and thinking.
