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Ingmar Bergman
"He always is very, very close to the camera, and he is terribly inspiring. I don't know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn't have that respect." Liv Ullman's words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman's life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman's films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman's own comments, and the reactions of critics.
Buster Crabbe
Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon. Crabbe was the only actor to play the roles of Tarzan (in one movie), Flash Gordon, and Buck Rogers, the top three pulp action heroes of the 1930s. Crabbe carved out a career that would also include more than 100 B-movies and program Westerns, a television adventure series, and a successful physical fitness enterprise. All of this and more is detailed in this book, which includes a complete filmography providing cast and crew information for each of his 103 feature films and serials.
Susanna's Christmas Wish
From the pen of bestselling Amish fiction author Jerry Eicher, (more than 350,000 books sold), comes a truly delightful and inspiring Christmas novella. Fans will be delighted by this peek at an Amish Christmas, complete with the romantic wish of Susanna Byler to spend the holidays with the man of her dreams. But who is the man of her dreams? Is it the competent but plain Amishman she married for convenience....or is it her first love—an Englisha man with whom she has recently had an unexpected encounter—and who wants her back in his life? A perfect holiday delight for lovers of Amish fiction...and those who love a heartwarming and tender Christmas tale.
At the Corner of Guilt and Delight
It isn't easy growing up in the Bible Belt of East Tennessee when you start having same-sex fantasies as a child, especially when your father is a preacher who thinks that homosexuality is a sin. Moments of pleasure and the torment of guilt intersect in this memoir by Jeffrey L. Carrier. He relates the exploration of his nature and his effort to make sense of his feelings, taking us along on his journey of acceptance. Beginning with his childhood in the 1960s, he introduces us to the many people he meets along the way, including his grandmothers, an aunt with a refreshingly open mind, two strong southern women who taught the boy some important life lessons and a kind and nurturing professorâ...
Patricia Neal
Major Motion Picture Adaptation Coming Soon The internationally acclaimed actress Patricia Neal (1926–2010) was a star on stage, film, and television for more than sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, winning the first Tony award. In Hollywood she starred opposite the likes of John Wayne, Paul Newman, John Garfield, and Gary Cooper in some thirty films. She is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the 1963 Academy Award for Best Actress. But there was much more to Neal's life. She was born in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. Fo...
The Art of the Cinematographer
Survey and anecdotal interviews with 5 masters — Arthur Miller, Hal Mohr, Hal Rosson, Lucien Ballard, and Conrad Hall. 105 photographs. Filmographies.
Classical Antiquity and the Cinematic Imagination
This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.
