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During the Progressive Era in the United States, as teaching became professionalized and compulsory attendance laws were passed, the public school emerged as a cultural authority. What did accepting this authority mean for Americans’ conception of self-government and their freedom of thought? And what did it mean for the role of artists and intellectuals within democratic society? Jesse Raber argues that the bildungsroman negotiated this tension between democratic autonomy and cultural authority, reprising an old role for the genre in a new social and intellectual context. Considering novels by Abraham Cahan, Willa Cather, and Charlotte Perkins Gilman alongside the educational thought of John Dewey, the Montessorians, the American Herbartians, and the social efficiency educators, Raber traces the development of an aesthetics of social action. Richly sourced and vividly narrated, this book is a creative intervention in the fields of literary criticism, pragmatic philosophy, aesthetic theory, and the history of education.
In Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
Work Flows investigates the emergence of "flow" as a crucial metaphor within Russian labor culture since 1870. Maya Vinokour frames concern with fluid channeling as immanent to vertical power structures—whether that verticality derives from the state, as in Stalin's Soviet Union and present-day Russia, or from the proliferation of corporate monopolies, as in the contemporary Anglo-American West. Originating in pre-revolutionary bio-utopianism, the Russian rhetoric of liquids and flow reached an apotheosis during Stalin's First Five-Year Plan and re-emerged in post-Soviet "managed democracy" and Western neoliberalism. The literary, philosophical, and official texts that Work Flows examines ...
Readers who enjoyed Rebecca's Promise will eagerly devour the next entry in this Amish series set in southern Ohio. Rebecca Keim returns to Wheat Ridge full of resolve to make her relationship with John Miller work. But in her absence, John has become suspicious of the woman he loves. Before their conflict can be resolved, John is badly injured and Rebecca is sent back to Milroy to aid her seriously ill Aunt Leona. In Milroy, Rebecca once again visits the old covered bridge over the Flatrock River, the source of her past memories and of her promise made so long ago. Where will Rebecca find happiness? In Wheat Ridge with John, the man she has agreed to marry...or should she stake her future on the memory that persists...and the ring she has never forgotten? Does God have a perfect will for Rebecca—and if so how can she know that will?
Bestselling Amish fiction author Jerry S. Eicher (nearly half a million copies sold) returns with the first book in another of his delightful and compelling series. Here is the touching story of an awakening young Amish girl, Katie Raber, who finds she wants more from life than to be known as simply “Emma Raber’s daughter.” Emma has refused to remarry since Katie’s daett died soon after she was born. And in an effort to keep Katie home, Emma has forbidden her from participating in the rumspringa tradition. When widower Jesse Mast calls for Mamm’s hand in marriage, Katie hopes to move into a new phase of life and leave the old “Emma Raber’s daughter” behind. But Emma is having none of it, and Katie must consider abandoning all hope of ever changing her mamm’s bitterness or of ever having popular Ben Yoder notice her. Out of sheer frustration, she begins attending nearby Mennonite youth gatherings. Sparks fly when Jesse’s children object fiercely to the attentions their daett is paying to Emma Raber. And widowed Ruth Hochstetler makes her own move for Jesse Mast’s hand. Book one in the Emma Raber’s Daughter series.
Johan Jurg Meisser was a German Palatine who immigrated to America in 1709, settling in Pennsylvania. Descendants lived in Pennsylvania, California, Nebraska, Ohio, Indiana, Kansas, Tennessee, Michigan, Missouri, Alabama, Arkansas, Texas, Illinois, Wyoming, Idaho, Wisconsin, Oklahoma, New York, and elsewhere.
This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a host of leading scholars, The Cambridge History of Jewish American Literature offers an array of approaches that contribute to current debates about ethnic writing, minority discourse, transnational literature, gender studies, and multilingualism. This History takes a fresh look at celebrated authors, introduces new voices, locates Jewish American literature on the map of American ethnicity as well as the spaces of exile and diaspora, and stretches the boundaries of American literature beyond the Americas and the West.
A full-color trip through the treasures of American Childhood from 1650 to today. Remember the toys you played with when you were growing up? Each of those objects has a story to tell about the history of American childhood and play. Construction toys like Lincoln Logs and Erector Set offer insight into America’s booming urban infrastructure in the early 1910s and 20s, and the important role toys played in preparing children for future careers in engineering and architecture. A stuffed toy monkey from Germany tells the story of young Jewish refugees to the United States during World War II. The board game Candyland has its origins in the dreaded polio epidemic of 1950s. Exploring Childhood...
“Magisterial . . . make[s] you suddenly see new things in familiar books . . . brilliant analyses of a dozen or so front-runners in the Great American Novel sweepstakes.” —Michael Dirda, Virginia Quarterly Review The idea of “the great American novel” continues to thrive almost as vigorously as in its nineteenth-century heyday, defying more than 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the...