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Written in an informative yet down-to-earth and accessible style, this text provides commentary on the basic principles underlying children's development, how to support learning, the basic learning styles and teaching children with special educational needs.
Fast-paced and fun for ages 8-12! They start chasing a mystery—then it chases them. Twelve-year-old cousins Sophie and Jessica don't have much in common. Sophie loves hiking and her small town. Jessica would rather be shopping in a city. The only mystery is how they'll be able to spend the summer together. Then . . . they find a briefcase in the forest with a surprise inside. When they hear footsteps behind them and bad guys run after them, they have no choice but to work together to solve the mystery of The Feather Chase. The Feather Chase is the first book in the Crime-Solving Cousins Mysteries. If you (or the eight- to twelve-year-olds in your life) like Nancy Drew, Theodore Boone, or the Hardy Boys, then you’ll love Shannon L. Brown’s fun, fast-paced books for kids. Buy The Feather Chase and begin solving the mystery today!
Using a medieval wishing charm to escape from a big city museum where she is mistakenly locked in for the night, Jessica, along with Annie-Mae, a homeless Rag Doll, ends up not at home but in OR, where the country’s evil Great Leader holds the charm hostage until brought a feather from a deified Golden Swan in Hoppitland, country of the Stick people. With a brief welcoming respite among friendly rats in their the canyon country of Rodentia, then a perilous trip across a great man-eating Vine Forest, Jessica brings a golden feather back to OR where, after Annie-Mae chooses to return to Rodentia, she uses the medieval charm, first in a heads-on defiant showdown with the all-powerful Great Leader of OR, then to wish herself safely back home.
This delightful new collection of stories at bedtime features inspiring, funny and enlightening animals from all over the world. Here you will find the firefly who can't find his fire, the baby kangaroo who's ashamed he hasn't yet learned to hop and a condor who lives atop a temple at Machu Picchu in Peru and helps to rescue a lost girl. You will also discover amazing legendary creatures including a fire-breathing dragon who just wants a friend and a beautiful unicorn who teaches a spoilt princess the joy of sharing. The stories will not only excite your child's imagination: they also explore issues your child may well encounter in his or her daily life, including coping with shyness and managing change. 'Magical Messages' at the end of each tale help to highlight its positive message. Designed to be read either by parents to their children or by children on their own, these lovely narratives focus the child's mind and provide a soothing transition into sleep or to give food for thought during daytime reading.
In Mature Audiences, Karen Riggs challenges traditional ideas about older viewers as passive, vulnerable audiences for television. She tells the stories of seventy elder Americans who have worked television into their lives in specific and practical ways. In particular, Riggs studies older women fans of Murder, She Wrote, the impact of news and public affairs programming in an affluent retirement community, the efforts of several older African Americans to produce and telecast their own public-access shows, and the role of television in the daily lives of minority elders, including gays, American Indians, and immigrants from Russia and Laos. Although television's own images of the elderly are nearly nonexistent or frequently negative, this collection of interviews provides a portrait of viewers who are often deliberate, thoughtful, and seasoned in their responses to questions about the role of television in their daily lives.
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Published to coincide with an exhibition of drawings and watercolours produced by two refugee artists, Hugo Dachinger and Walter Nessler, held in the south Liverpool Huyton internment camp during World War Two. Using improvised materials, Dachinger and Nessler recorded the forbidding physical appearance of the camp and, more importantly, the dreariness of camp life and the suffering of the internees.
Fiery dragons, witches, goblins, and wizards don’t stop Jessica, a little girl who lives with her mother in the poorest part of a great city, from endless adventuring in the magic of Fairyland and other faraway places. Join her and enchanting fairyland friends in five thrilling stories. In one she overcomes pirates and ogres to defeat an evil sorceress, and in another defies monster spirits and faces down a wicked witch to free a fairy princess from savage goblins. Be with her in a lovely fairyland refuge saving long-forgotten toys from a terrible fate, and yet again when in a battle of wits, she defeats an all-powerful wizard to restore a lost dragon child to its mother. Don’t miss a final adventure in which, ever undaunted, she braves killer trees, bedouin robbers, and a fearful yeti tyrant to rescue old fairyland friends from imminent peril in the circus of a cruel and merciless clown.
This Festschrift for Ronald Speirs, Professor of German at the University of Birmingham, contains twenty-four original essays by scholars from Great Britain, Germany, Austria, and Norway. Between them they encompass the entire modern period from the later eighteenth century onwards, and focus on a wide range of German-speaking environments. Several essays throw new light on authors to whom Professor Speirs himself has devoted particular attention (such as Brecht, Thomas Mann, Nietzsche, and Fontane), whilst others discuss writers such as Lenz, Büchner, Böhlau, C. F. Meyer, Keyserling, Jahnn, and Huch. Above all, however, the contributions address the complexities of writing in ideologically diverse contexts, including the Third Reich and the former German Democratic Republic. This interplay between text and context is the cornerstone which links all the essays, as it has consistently informed Ronald Speirs's own work - which combines a scrupulous attention to textual detail with an acute awareness of the socio-political milieux and philosophical influences that shape creative literature.
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...