You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Jessica Goodman sheds new light on Carlo Goldoni's experience as a dramatic author in 1760s Paris, and on his critical reactions to that experience. She draws on contemporary Comedie-Italienne archives to offer the most comprehensive existing account of this oft-neglected theatre and its authorial relations.
Jessica Goodman sheds new light on Carlo Goldoni's experience as a dramatic author in 1760s Paris, and on his critical reactions to that experience. She draws on contemporary Comedie-Italienne archives to offer the most comprehensive existing account of this oft-neglected theatre and its authorial relations
The death of Honoré Gabriel Riqueti, Comte de Mirabeau, on 2 April 1791, was a key moment in the early years of the French Revolution. The renowned orator, who had played a major role in drafting the Déclaration des droits de l’homme et du citoyen, succumbed to heart disease aged forty-two. His death prompted the establishment of the Panthéon, that secular temple intended to honour the great men of a new, free France. It was also the impetus for a whole range of artistic commemorative creations, including a number of plays, performed or published in the days following his death. This edition presents three such plays, all of which stage Mirabeau in conversation with other great men and ...
Death in classical tragedy is an ending: a symbolic moment of catharsis, read by the audience according to theatrical and cultural tradition. Yet any stage death is also a non-ending: just one in a series of repeated (re)presentations, by an actor who will live (and die) again. Spanning six centuries and seven countries, this study considers how different dramatic authors have engaged with this tension, examining the representation of death as theme and practice; culturally-inflected symbol and never-ending ending. In tracing how Western authors since the sixteenth century have played with and against classical notions of endings and closure, these essays explore the potential and limits of the physical stage for confronting human mortality. Jessica Goodman is Associate Professor and Tutorial Fellow in French at St Catherine's College, Oxford.
A fascinating portrait of one of Oxford University's most-loved and most beautiful colleges, with over 250 illustrations in color and black and white.
This note explores how characteristics of financial systems commonly observed in low income countries may shape the approach to the staff’s advice on macroprudential policy. It explores the implications of the ongoing process of financial and institutional development for the conduct of macroprudential policy in these countries. This note is a supplement to the Staff Guidance Note on Macroprudential Policy.
"The best book of the summer." -- InStyle "I LOVED this novel....If you have ever sung along to a hit on the radio, in any decade, then you will devour Mary Jane at 45 rpm." —Nick Hornby Almost Famous meets Daisy Jones & The Six in this "delightful" (New York Times Book Review) novel about a fourteen-year-old girl’s coming of age in 1970s Baltimore, caught between her straight-laced family and the progressive family she nannies for—who happen to be secretly hiding a famous rock star and his movie star wife for the summer. In 1970s Baltimore, fourteen-year-old Mary Jane loves cooking with her mother, singing in her church choir, and enjoying her family’s subscription to the Broadway S...
Covers receipts and expenditures of appropriations and other funds.
Most histories of the Cherokee nation focus on its encounters with Europeans, its conflicts with the U. S. government, and its expulsion from its lands during the Trail of Tears. This work, however, traces the origins of the Cherokee people to the third century B.C.E. and follows their migrations through the Americas to their homeland in the lower Appalachian Mountains. Using a combination of DNA analysis, historical research, and classical philology, it uncovers the Jewish and Eastern Mediterranean ancestry of the Cherokee and reveals that they originally spoke Greek before adopting the Iroquoian language of their Haudenosaunee allies while the two nations dwelt together in the Ohio Valley.