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The Daughter of Man
"The Daughter of Man, finalist for the 2023 Miller Williams Poetry Prize, follows its unorthodox heroine as she transforms from maiden to warrior-then to queen, maven, and crone-against the backdrop of suburban America. This collection confronts misogyny and violence, even as it bursts with nostalgia, lust, and poignant humor"--
Ditch Memory
In an age when many find themselves disconnected from the natural world, celebrated poet Todd Davis offers the possibilities of reconnection, of listening to the earth’s labored breathing, to the thoughts of other-than-human animals and the languages trees speak. In thirty new poems, and with ample selections from his previous seven books, Davis’s roots run deep in Rust-Belt Appalachia, attending to the harmed but healing landscape, the people whose lives are too often neglected, and the looming threat of climate collapse and extinction. Orion Magazine likens Davis’s work to Wendell Berry and Mary Oliver, as he continues to demonstrate what one reviewer describes as his knowledge of “Latin names, common names, habitats and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.” Known for both narrative and lyrical impulses, Davis asks readers to acknowledge their kinship with all living beings, which demands some grieving for past sins but also suggests a way toward restoration. With a Foreword by David James Duncan.
To Be Named Something Else
To Be Named Something Else, winner of the 2023 Miller Williams Poetry Prize, is a high-spirited celebration of Black matriarchy and lineage—both familial and literary. Centering the coming-of-age of Black femmes in Harlem, Shaina Phenix’s debut collection, in the words of series judge Patricia Smith: “enlivens the everyday—the everyday miraculous, the everyday hallelujah, the numbing everyday love, the everyday risk of just being Black and living. There is absolutely nowhere these poems aren’t—we’re dancing and sweating through our clothes, terminating a pregnancy in a chilled room of white and silver, finally gettin’ those brows threaded and nails did, practicing gettin’ the Holy Ghost, sending folks to their rest, having babies, listening carefully to the lessons of elders, and sometimes even talking back. . . . To Be Named Something Else is a book of reason and reckoning, substance and shadow. It’s tender and wide-aloud and just about everything we need right now, when both reason and reckoning are in such woefully short supply.” Phenix’s full-throated poetry, with its “superlative combination of formalism and funk,” is assuredly something else.
Transgenesis
An excavatory collection of poems tracing the connections between Jewish transfemininity, queer desire, and cultural histories. Selected by Sean Hill for the National Poetry Series, this collection is a scrupulous chronicle of individual and cultural knowledge. In an exceptional debut, Ava Nathaniel Winter challenges our concepts of the beautiful and the sacred, delving not only into the historically marginalized, but also into the chilling subconscious of supremacy. “Let me be clear / from this beginning,” she writes, “What I mean by beauty / is a terror I have fled from / into language.” Winter writes with a documentarian’s attention, a poet’s resonance. “I’m trying,” she...
When I Grow Up I Want to Be a List of Further Possibilities
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR POETRY WINNER OF THE A. POULIN, JR. POETRY PRIZE A LIBRARY JOURNAL BEST BOOK OF 2017 SELECTION: POETRY & LITERATURE ON NPR BOOKS'S LIST OF "POETRY TO PAY ATTENTION TO: 2017'S BEST VERSE" A PUBLISHERS WEEKLY 2017 HOLIDAY GIFT GUIDE SELECTION In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family—the strained relationship between a mother and son, the cost of necessary goodbyes—all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one's own path in identity, life, and love.
More in Time
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Red Ocher
"In Jessica Poli's Red Ocher, the wild mortality of the natural world merges with melancholic expressions of romantic loss: a lamb runt dies in the night, a first-time lover inflicts casual cruelties, brussels sprouts rot in a field, love goes quietly and unbearably unrequited. This is an ecopoetics that explores the cyclical natures of love, desire, and grief"--
Dead Politician Society
When the mayor keels over dead in the middle of a speech, a clandestine student society immediately takes credit for his demise. Their mission is to create a perfect political system by any means at their disposal. Clare Vengel, a rookie officer fresh from the police academy and beyond bored with her routine as a beat cop, volunteers to go undercover as a student to infiltrate the secretive organization. A streetwise amateur mechanic, Clare takes a dim view of book smarts--she is of the opinion that higher education is for people who can't handle the real world. In short order, she alienates a popular professor and begins to lose the respect of her police superiors. Soon, another politician is killed, and Clare steps up her clandestine involvement with the suspect students. When two more politicians die, the race begins to apprehend the culprits before her own duplicity can be revealed.
Teaching Queer
Teaching Queer looks closely at student writing, transcripts of class discussions, and teaching practices in first-year writing courses to articulate queer theories of literacy and writing instruction, while also considering the embodied actuality of being a queer teacher. Rather than positioning queerness as connected only to queer texts or queer teachers/students (as much work on queer pedagogy has done since the 1990s), the book offers writing and teaching as already queer practices, and contends that the overlap between queer theory and composition presents new possibilities for teaching writing. Teaching Queer argues for and enacts "queer forms"—non-normative and category-resistant forms of writing—those that move between the critical and the creative, the theoretical and the practical, and the queer and the often invisible normative functions of classrooms.
