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"This volume is an exciting, eclectic collection of essays in honor of Kermit S. Champa, a leading scholar of impressionism and critic of twentieth-century art. The lead essay by David Carrier is followed by others from several generations of scholars and museum curators trained by Professor Champa. Together, they cover an extremely wide historical range, from the eighteenth to twenty-first centuries, and honor Professor Champa's own scholarly rigor, methodological diversity, and intellectual breadth through topics ranging from art history to cultural studies."--Jacket
Thomas Kelah Wharton's travel diaries provide an intimate glimpse into the society of early nineteenth-century America. As a young immigrant from England, the eldest son of a wealthy merchant who fell on hard times, Wharton (1814–1862) navigated the complex world of New York and the Hudson River Valley in the early 1830s and his diaries reveal a vibrant cultural and social scene. Wharton's details of encounters with the Hudson River School painter Thomas Cole; the author Washington Irving; Sylvanus Thayer, superintendent of the US Military Academy at West Point; the Greek Revival architect Martin E. Thompson, and many others enliven his story. Skipping two decades to 1853, Wharton—now an established professional living in New Orleans—brought his young family from New Orleans to Boston. The trip to and from Boston illuminates the joys and hazards of traveling aboard steamboats and trains, and touches on the tensions growing between North and South. The diary entries show an inquisitive, observant mind at work. A gifted pen-and-ink artist, the inclusion of Wharton's faithful drawings provide rare and wonderful views of an America from a very unique and personal perspective.
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Historian Mary P. Ryan traces the fate of public life and the emergence of ethnic, class, and gender conflict in the 19th-century city. Using as examples New York, New Orleans, and San Francisco, Ryan illustrates the way in which American cities of the 19th century were as full of cultural differences and as fractured by social and economic changes as any metropolis today. 41 photos.
Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists ...
This beautifully illustrated sourcebook chronicles the history of the Newcomb Pottery at Tulane University in Louisiana from its founding in 1895. It explores the development of the art form, and presents a sensitive picture of the artists themselves. It includes a section on marks and dating by Walter Bob, as well as a complete exhibition catalog compiled by Sally Main Spanola, assistant curator.
All persons involved with natural history museums--from administrators to exhibit designers--will find this work useful. The chapters in the volume provide a general overview as well as address specific topics concerning the roles and functions of natural history museums. Topics in this survey include conservation, care, use, management, and preservation of collections; the role of exhibits and other educational materials, as well as ideas and guidelines for some exciting new approaches for this facet of natural history museums; and, in addition, useful information about possible sources of funding for natural history museums.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Includes appendices.