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World War I in Irish Art and Literature
Focusing on Ireland's literary and artistic response to World War I, this book explores works from a range of perspectives that intervened in Irish political and cultural discourse. Works such as Patrick MacGill's novel The Amateur Army (1915), John Lavery's Daylight Raid from my Studio (1917) and Margaret Barrington's My Cousin Justin (1939) show how the war was fully examined by Irish authors--but was disregarded with the beginning of World War II. Diverse voices challenged prevailing notions of Irish national identity, from the bourgeois cosmopolitanism of Tom Kettle to the working-class internationalism of Patrick MacGill to Pamela Hinkson's cynicism about imperial patriarchy.
Women Writers of the First World War: An Annotated Bibliography
'They also serve who only stand and wait' The idea of there being a 'women's writing' during the First World War is often dismissed. The war, the story goes, was a masculine domain, and as women did not fight, it is also assumed that they were excluded from a war experience. This bibliography challenges that view by listing and annotating hundreds of published books, articles, memoirs, diaries and letters written by women during the First World War. Included are: * Virginia Woolf * Katherine Mansfield * G.B Stern * Brenda Girvin * known and unknown autobiographers and diarists * writers of pro and anti-war propaganda * journal and magazine articles * literary, cultural and historical criticism
The Selected Letters of Katharine Tynan
A farmer’s daughter, a convent girl, a lover of the Irish countryside, a poet, novelist and short story writer, a journalist, a friend of the English during war and peace, a fighter for justice, a Catholic, but able to see and decry the interference of religion in politics: this is in part Katharine Tynan Hinkson (1859–1931), usually known as Katharine Tynan, who lived in Ireland and England, and wrote through the turbulent times of Irish politics, suffrage, the Great War, and civil war in Ireland. Her background was rural Ireland, her father being a prosperous land-owning farmer. Educated locally and at a convent, she left aged fourteen and spent much time reading and enjoying the count...
Crime Writing in Interwar Britain
Considering a range of neglected material, this book provides a richer view of how crime and criminality were understood between the wars.
1914
The opening battles of WWI’s Western Front and the world-changing advances in warfare are reexamined through eyewitness accounts from the trenches. The 1914 campaign of World War I, sparked by the German Army’s invasion of Luxembourg, Belgium, and France, marked a watershed in military history. Advances in weaponry forced both sides to take to the earth in what became a grueling standoff of trench warefare. In a bizarre mix of ancient and modern, some of the last cavalry charges took place in the same theatre in which armoured cars, motorcycles and aeroplanes were beginning to make their presence felt. These dramatic developments were recorded in graphic detail by soldiers who were there in the trenches themselves. Now, with the benefit of these firsthand accounts, historian Matthew Richardson offers a thoroughgoing reassessment of the 1914 campaign. His vivid narrative emphasises the perspective of the private soldiers and junior officers of the British Army and includes full colour plates containing over one hundred illustrations. 1914: Voices from the Battlefields was a Britain At War Magazine Book of the Month in February 2014.
