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This second edition of A Corpus of Ammonite Inscriptions presents all of the published inscriptions that have been identified as Ammonite in one volume. Each entry is accompanied by a complete bibliography, a physical description and details about its location, a photograph and/or drawing, relevant linguistic information, and a history of the inscription’s interpretation. The discovery of the Amman Theater Inscription, Amman Citadel Inscription, Tall Sīrān Bottle, Ḥisbān Ostraca, and Tall al-Mazar Ostraca opened a new chapter in the study of ancient Northwest Semitic inscriptions with the recognition and analysis of the language and script of ancient Ammon. These new discoveries promp...
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The studies in this volume are drawn together from a widely scattered set of publications, many difficult of access. They exemplify the variety of influences - religious, cultural, political - that interacted in Syria in Late Antiquity, and the range of responses that these evoked in changing historical circumstances. The first section of the book is concerned with the development of Syriac Christianity, with particular articles looking at the relations between Christians and Jews, and at the position of holy men. There follow two sections focusing on Marcionism and on Manichaeism, while the final studies examine aspects of Syriac Christianity after the Arab conquests.
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This introduction to the Old Testament (Hebrew Bible) offers a literary and historical-critical approach, containing some religio-historical or theological explanations where appropriate.
New Testament scholars often claim that the interpretative key to Jesus' pronouncement of the words ego eimi in the Gospel of John lies in the use of this phrase in the Septuagint of Isaiah to render the Hebrew expression 'ani hu' . While previous studies have paid particular attention to the New Testament usage of ego eimi, Catrin H. Williams sets this evidence within a broader framework by offering a detailed analysis of the interpretation of 'ani hu' in biblical and Jewish traditions. She examines the role of 'ani hu' as a succinct expression of God's claim to exclusiveness in the Song of Moses and the poetry of Deutero-Isaiah, and attempts to reconstruct its later interpretative history ...