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'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
The past few years have demonstrated how civil infrastructure continues to experience an unprecedented scale of extreme loading conditions (i.e. hurricanes, wildfires and earthquakes). Despite recent advancements in various civil engineering disciplines, specific to the analysis, design and assessment of structures, it is unfortunate that it is common nowadays to witness large scale damage in buildings, bridges and other infrastructure. The analysis, design and assessment of infrastructure comprises of a multitude of dimensions spanning a highly complex paradigm across material sciences, structural engineering, construction and planning among others. While traditional methods fall short of a...
This two-volume set of LNCS 12836 and LNCS 12837 constitutes - in conjunction with the volume LNAI 12838 - the refereed proceedings of the 17th International Conference on Intelligent Computing, ICIC 2021, held in Shenzhen, China in August 2021. The 192 full papers of the three proceedings volumes were carefully reviewed and selected from 458 submissions. The ICIC theme unifies the picture of contemporary intelligent computing techniques as an integral concept that highlights the trends in advanced computational intelligence and bridges theoretical research with applications. The theme for this conference is “Advanced Intelligent Computing Methodologies and Applications.” The papers are organized in the following subsections: Artificial Intelligence in Real World Applications, Biomedical Informatics Theory and Methods, Complex Diseases Informatics, Gene Regulation Modeling and Analysis, Intelligent Computing in Computational Biology, and Protein Structure and Function Prediction.
This is a literary journey of an Australian writer's encounter with the culture and people of China, particularly its young writers and artists, and of the evolving influence of China on the writer's own work and life. Nicholas Jose is the author of four novels and two collections of short stories. He was Cultural Counsellor at the Australian Embassy, Beijing, between 1987 and 1990, and has taught Australian Studies in China.
Celebrity artist Shen Jiawei's history paintings are held in national museums and in public or private collections all around the world, including the Vatican. In this book, he chronicles the contexts in which his paintings were done, giving us rare insights of the national histories behind the canvas of his works.
Australian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective. Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts...
This edited volume will be the first book examining the art history of China’s socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifting the frame of interpretation from socialist realism to socialist modernity, this study reveals the plurality of the historical process of developing modernity in China, the autonomy of artistic agency, and the complexity of an art world conditioned, yet not completely confined, by its surrounding political and ideological apparatus. The unexpected global exchanges examined by many of the authors in this study and the divergent approaches, topics, and genres they present add new sources and insights to this research field, revealing an art history that is heterogeneous, pluralistic, and multi-layered. The book will be of interest to scholars working in art history, art and politics, and Chinese studies.