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Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the fir...
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the fir...
A veteran Hollywood script consultant unlocks the secrets of storytelling in this “clever, fresh way of analyzing structure” (Creative Screenwriting magazine). Veteran script consultant Jill Chamberlain knows that most first-time screenwriters don’t understand how to tell a story. These writers may have snappy dialogue, interesting characters, and clever plot devices—but what they deliver isn’t a story. It’s a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. In this book, Chamberlain uses easy-to-follow diagrams (“nutshells”) to explain how the Nutshell Technique can make or break a film script. She takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, Little Miss Sunshine, Juno, and Argo all have the same system working behind the scenes. She then teaches readers how to apply these principles to their own screenwriting./DIV
The first full-length biography of Brenda Chamberlain chronicles the life of an artist and writer whose work was strongly affected by the places she lived, most famously Bardsey Island and the Greek island of Hydra.
This volume explores the reading development of native speakers of sign language, as well as their early pre-literacy language development. For deafness and sign language scholars, as well as linguists and reading specialists.
A wonderful book to read aloud and share, this favourite nursery rhyme is brought to life by Kate Willis-Crowley. Jack and Jill went up the hill to fetch a pail of water. Jack fell down and broke his crown and Jill came tumbling after... With instructions for making your own Jack and Jill finger puppets at the end of the story, this book is one to treasure.
The first full-length biography of Brenda Chamberlain chronicles the life of an artist and writer whose work was strongly affected by the places she lived, most famously Bardsey Island and the Greek island of Hydra. Brenda Chamberlain lived a life of artistic engagement with the world. She published a compelling body of literary work and held solo exhibitions in London and Wales, while her work was shown in over thirty group shows. Her brilliance was mirrored by the journey of her personal life, including marriage to fellow artist and Royal Academy student John Petts, the long relationship with the Frenchman Jean Van der Bijl, the life-long friendship with the German aristocrat Karl von Laer and her eventual journey to Hydra where she lived for many years before returning to Bangor, Wales. Jill Piercy draws upon extensive research gathered from public and private collections and from interviews with Chamberlain's friends in Britain, Germany and Greece.
Joshua Chamberlain was much more than a war hero, and Pullen's thoughtful book fills out the picture of his remarkable life. An entertaining and inspiring story. --Senator George J. Mitchell "Pullen's book is a worthy tribute to Chamberlain's lasting legacy." --Charles F. Herberger, Civil War Book Review "Pullen's presentation is more complete in revealing a complicated character, without diminishing the almost mythic status he has assumed." --Edward C. Smith, The Washington Times Recounts Chamberlain's later life through the lens of his experience during the Civil War
A lie will save one family. The truth will destroy another. Which would you choose? The emotional page-turner that will have you hooked, for fans of Susan Lewis and Amanda Prowse
Jill Chamberlain has a past; unfortunately for her she does not remember most of it. During the past six years she has started to remember her life. She cannot remember much of her past but what she does remember is her ex-husband, Drew Chamberlain. She has spent the past three years on short weekend trysts at his friend's Jack MacArthur's house. She works at a bank under the name of Lizzy Branigan. Lizzy writes weekend trips with her friends at work. At first they are harmless, but something compels her to write about ball gowns, dinners and places that she vaguely remembers. She begins to want her life back and to know what her life was. She sets out with a plan. Meanwhile, Jack and Drew are trying to keep. Jill Chamberlain/Lizzy Branigan safe. While each of them hopes in their hearts she picks them, when she finally remembers the fateful night that changed all of their lives. As she begins to unravel her thoughts to remember, the killer gets closer. In the end Jack and Drew find that Jill is the one that helps them stay one step ahead of the killer. Then she does something that surprises them all.