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Readings in Medieval Texts
Readings in Medieval Texts offers a thorough and accessible introduction to the interpretation and criticism of a broad range of Old and Middle English canonical texts from the ninth to the fifteenth centuries. The volume brings together 24 newly commissioned chapters by a leading international team of medieval scholars. An introductory chapter highlights the overarching trends in the composition of English Literature in the Medieval periods, and provides an overview of the textual continuities and innovations. Individual chapters give detailed information about context, authorship, date, and critical views on texts, before providing fascinating and thought-provoking examinations of crucial excerpts and themes. This book will be invaluable for undergraduate and graduate students on all courses in Medieval Studies, particularly those focusing on understanding literature and its role in society.
Female Devotion and Textile Imagery in Medieval English Literature
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this perio...
Art and Worship in the Insular World
A monastic artist with an unusual enthusiasm of male buttocks and genitalia; a nun bringing her spinning equipment from her home in the south to her new convent in the north; the riddle of a carved archer bearing a book instead of arrows; a bishop’s ring hiding in its design symbols of the essential aspects of the Christian faith: these are some of the secrets of early medieval personal and public worship uncovered in this book. In tribute to a scholar who is herself a polymath of early medieval studies, these chapters explore approaches which have particularly engaged her: stone sculpture; text; textiles; manuscript art; metalwork; and archaeology. With a brief foreword by Professor Dame Rosemary Cramp. Contributors are Richard N. Bailey, Michelle P. Brown, Peter Furniss, Jane Hawkes, David A. Hinton, Maren Clegg Hyer, Catherine E. Karkov, Alexandra Lester-Makin, Christina Lee, Donncha MacGabhann, Éamonn Ó Carragáin, Gale R. Owen-Crocker, Frances Pritchard, and Penelope Walton Rogers.
Water and the Environment in the Anglo-Saxon World
This study of the waterscapes of the Anglo-Saxon world will assist serious students of the Anglo-Saxon period in both perceiving and understanding both the textual imagery and the archaeology of water in Anglo-Saxon England.
Living Through Conquest
Living through Conquest is the first ever investigation of the political clout of English from the reign of Cnut to the earliest decades of the thirteenth century. It focuses on why and how the English language was used by kings and their courts and by leading churchmen and monastic institutions at key moments from 1020 to 1220.
The Hermeneutics of Distraction in Early Medieval England
Distraction is now too easily and often considered a metonym for modern consciousness, but it was also a medieval concern, which posed a particular threat to religious life. Distraction opened the door to all other temptations, and—most disturbingly of all for the monastic communities at the heart of this book—it invalidated central devotional acts like reading, praying, and reciting the Psalms. Far from an innocuous sensation, distraction posed a significant spiritual danger. It also generated powerful countervailing responses in literature, pedagogy, and religious observance, profoundly shaping literary interpretation in the process. The Hermeneutics of Distraction in Early Medieval En...
Medieval Literature
Looking at literature from Medieval Britain and Ireland, including Anglo-Latin and Anglo-Norman poetry, prose and drama, this Very Short Introduction covers the earliest beginnings of print culture, and considers major themes of these works, such as sin and salvation, kingship and authority, myth and the monstrous.
Perceptions of Medieval Manuscripts
Engages with the materiality of medieval manuscripts to illustrate the importance of the study of physical texts to literary appreciation, and studies marginal annotation, the physical characteristics of manuscripts and books, and miniature illustrations to show how the book was encountered and understood by medieval producers and readers.
The Texts and Contexts of Oxford, Bodleian Library, MS Laud Misc. 108
The late thirteenth-century, monolingual Oxford manuscript, Bodleian Library, MS Laud Misc. 108, bears singular importance to medieval studies, for it preserves and anthologizes unique versions of several seminal Middle English texts, including South English Legendary, Havelok the Dane, and King Horn and Somer Soneday. While critics have traditionally classified these poems by genre, this book returns them to their manuscript context in a comprehensive examination of this vernacular codex. Considering the manuscript as a “whole book” rather than a miscellany of romances, saints' lives, and religious poems, these inter-connected essays focus on the physical, contextual, and critical intersections of Bodleian Library, MS Laud Misc. 108. Codicological evidence foregrounds the manuscript’s investment in a particular vision of an English Christian identity. Contributors are A.S.G. Edwards, Thomas R. Liszka, Murray J. Evans, Andrew Taylor, Diane Speed, Susanna Fein, Robert Mills, Andrew Lynch, Daniel Kline, Christina M. Fitzgerald, and J. Justin Brent.
AEthelstan
The powerful and innovative King Athelstan reigned only briefly (924-939), yet his achievements during those eventful 15 years changed the course of English history. In this biography, Sarah Foot offers the first full account of the king ever written.
