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Growing Up in God's Country
A #1 NEW RELEASE ON AMAZON! El McMeen hails from rural Pennsylvania. His full name is “Elmer Ellsworth McMeen, III.” That’s a good name for a kid, El says, if you want him to learn how to fight in elementary school. El didn’t start so well. He wasn’t on the gravy train, more like in front of it, waiting to get run over. He nearly died at birth. He has cerebral palsy. He had a broken home. He was, in his own words, a “miscreant.” But his story is one of redemption. El became a “Wall Street lawyer,” an internationally acclaimed acoustic guitarist, and a Christian minister. He and his wife Sheila have four married children and three grandchildren. “The Lord became my GPS,”...
Lucy's Letters - Transcriptions
88 years after they were written, Jim Sims learned of and obtained a notebook containing letters exchanged in 1924 by his parents, Frazier Sims and Lucy Ensor, during the year before they married. Those letters, letters from Lucy's mother and other letters reveal much about them and about the rough life in poor, rural Kentucky at the time. This publication of "Lucy's Letters" contains transcriptions of the 70+ letters and postcards plus some background information and photos about the families and locales of their early life.
Lucy's Letters - Scans and Transcriptions
88 years after they were written, Jim Sims learned of and obtained a notebook containing letters exchanged in 1924 by his parents, Frazier Sims and Lucy Ensor, during the year before they married. Those letters, letters from Lucy's mother and other letters reveal much about them and about the rough life in poor, rural Kentucky at the time. This publication of "Lucy's Letters" contains transcriptions and scans of the actual 70+ letters and postcards plus some background information and photos about the families and locales of their early life.
From Poverty to Power, 2nd Edition
From Poverty to Power argues that a radical redistribution of power, opportunities, and assets rather than traditional models of charitable or government aid is required to break the cycle of poverty and inequality. The forces driving this transformation are active citizens and effective states. Published in association with Oxfam GB.
It Feeds Itself
Eric White's hyper-intensive, distortedly lucid paintings explore the shifting boundaries between beauty and horror. Developing out of the artist's fascination with the illusory properties and constructions of film, the paintings examine the varying layers of human perception by manipulating planes of focus and the reliability of form and colour. With work from four different galleries, this is a comprehensive collection of Eric White's career as a painter.
Lucy's Letters - Scans
88 years after they were written, Jim Sims learned of and obtained a notebook containing letters exchanged in 1924 by his parents, Frazier Sims and Lucy Ensor, during the year before they married. Those letters, letters from Lucy's mother and other letters reveal much about them and about the rough life in poor, rural Kentucky at the time. This publication of "Lucy's Letters" contains scans of the 70+ letters and postcards plus some background information and photos about the families and locales of their early life.
Boys' Life
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
The Record
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Realism in the Age of Impressionism
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
