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This book assesses competing modes of nation-building and nationalism through a critical reappraisal of the works of key theorists such as Benedict Anderson and Eric Hobsbawm. Exploring the processes of nation building from a variety of ethnic and social class contexts, it focuses on the contested terrains within which nationalist ideologies are often rooted. Mac Laughlin offers a theoretical and empirical analysis of nation building, taking as a case study the historical connections between Ireland and Great Britain in the clash between 'big nation' historic British nationalism on the one hand, and minority Irish nationalism on the other. Locating the origins of the historic nation in the s...
What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.
Did Ireland produce a more radical and ambitious literature in the straitened circumstances of the first half of the twentieth century than it has managed to do since it began to ‘modernize’ and become more affluent from the 1960s onwards? Has Irish modernism ceded place to a prevailing naturalism that seems gritty and tough-minded, but that is aesthetically conservative and politically self-thwarted? Does the fixation with ‘de Valera’s Ireland’ in recent narrative represent a necessary settling of accounts with a dark, abusive history or is it indicative of a worrying inability on the part of Irish artists and intellectuals to respond to the very different predicaments of the post...
Activist, economist, geographer, evolutionary theorist, and philosopher Peter Kropotkin remains one of the most important and progressive anarchist theorists, pushing anarchist thought beyond an individualist model to a theory of communal anarchism. Kropotkin and the Anarchist Intellectual Tradition seeks to rescue Kropotkin's philosophy of anarchism from the neglect that it has suffered at the hands of mainstream histories of the social and environmental sciences. Jim Mac Laughlin provides a sustained and critical reading of Kropotkin's extensive writings on the social, historical, and scientific basis of modern anarchism, giving a thorough examination of a number of key themes in Kropotkin's philosophy, including his concerted efforts to provide anarchism with an historical and scientific basis; the role of mutualism and mutual aid in social evolution and natural history; the ethics of anarchism, including the ethics of scientific research; and the anarchist critique of state-centered nationalism and other expressions of power politics.
This anthology uses extracts from a wide variety of sources, to examine social and geographical change in Donegal over the past five centuries. Combining the approaches of the literary anthologist with that of the historian and social geographer, Jim MacLaughlin focuses on changes in community life and material culture in Donegal from the pre-colonial period to the late 20th century. The book presents extracts from historical records, travel literature, literary sources, biographies and autobiographies, official documents, political pamphlets and reports of government officials. It places the interpretations of academics alongside the observations of local historians, antiquarians, travellers, government officials, poets and writers.
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.
Rejecting the cliché about “weak identity and underdeveloped nationalism,” Bekus argues for the co-existence of two parallel concepts of Belarusianness—the official and the alternative one—which mirrors the current state of the Belarusian people more accurately and allows for a different interpretation of the interconnection between the democratization and nationalization of Belarusian society. The book describes how the ethno-symbolic nation of the Belarusian nationalists, based on the cultural capital of the Golden Age of the Belarusian past (17th century) competes with the “nation” institutionalized and reified by the numerous civic rituals and social practices under the auspices of the actual Belarusian state. Comparing the two concepts not only provides understanding of the logic that dominates Belarusian society’s self-description models, but also enables us to evaluate the chances of alternative Belarusianness to win this unequal struggle over identity.
"... a lively and interesting book... " -- American Historical Review These writers reveal the power relations of gender, class, race, and sexuality at the heart of the imperialisms, colonialisms, and nationalisms that have shaped our modern world. Topics include the (mis)representations of Native women by European colonizers, the violent displacement of women through imperialisms and nationalisms, and the relations between and among feminism, nationalism, imperialism, and colonialism.
Drawing together for the first time original work from international specialists, this book assesses the role and character of comedy and fantasy in colonial societies from India to Ireland, Australia to Cuba, Africa to North America. There are cross-cultural comparisons and consideration of both imperial responses and colonized resistance. The book deals with oral as well as written traditions, the history of comic and fantastic discourse, visual, theatrical and literary representations as well as historical and cultural accounts.