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A Hitch in Hell
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Earl Hooker, Blues Master
2020 Blues Hall of Fame Classic of Blues Literature Jimi Hendrix called Earl Hooker "the master of the wah-wah pedal." Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder bluesman's power. And B. B. King has said repeatedly that, for his money, Hooker was the best guitar player he ever met. Tragically, Earl Hooker died of tuberculosis in 1970 when he was on the verge of international success just as the Blues Revival of the late sixties and early seventies was reaching full volume. Second cousin to now-famous bluesman John Lee Hooker, Earl Hooker was born in Mississippi in 1929, and reared in black South Side Chicago where his parents settled in 193...
Blessed Abduction
Abducted as a baby and sold to an elite, childless couple in San Francisco, young Anthony Groves is surrounded by wealth and love. At age seventeen, his fragile world breaks apart when his parents tell him the truth. Disgusted and forlorn, Anthony turns his back on his privileged upbringing to experience life in the seedy side of Denver. Even though he reunites with his family in San Francisco, he determines to know his true heritage. In the process, Anthony learns about friendship, love, and life with its many twists and turns. After an evil betrayal by his best friend and rather than seeking revenge, Anthony decides to lead a life of selfless sacrifice to humanity. His special personality and spiritual gifts take him to Europe and Central America where he sees life from perspectives he has never known. Using that knowledge, Anthony resolves his conflicted past and eventually learns who he is.
Sounds So Good to Me
The roots of much American music lie in the intensely personal art form of the blues. What bluesmen from W.C. Handy to B.B. King have told us about their lives has shaped America's perception of the blues. These life stories provide central insights into blues music and stand as a fascinating form of narrative in their own right. Barry Lee Pearson has conducted dozens of field interviews and collected over a hundred published autobiographies to present this collective portrait of bluesmen's careers as they themselves tell them: their musical learning, communities, work, pleasures, travels, triumphs, and crises.
I'm Feeling the Blues Right Now
In I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta, Stephen A. King reveals the strategies used by blues promoters and organizers in Mississippi, both African American and white, local and state, to attract the attention of tourists. In the process, he reveals how promotional materials portray the Delta’s blues culture and its musicians. Those involved in selling the blues in Mississippi work to promote the music while often conveniently forgetting the state’s historical record of racial and economic injustice. King’s research includes numerous interviews with blues musicians and promoters, chambers of commerce, local and regional tourism entities, and member...
Encyclopedia of the Blues
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Undressing
"In O’Neill's book - at once a case-history, a novella, and something more than either - we have a remarkable story of what two people can do for each other if they can experiment with trust.” Adam PhillipsWhen therapist-in-training James O’Neill starts his placement at a therapy centre in west London, his first referral is Abraham, a silent and frightened young man in a tightly-zipped, hooded anorak.For the majority of their initial sessions, Abraham hardly speaks. But O’Neill gradually gains his trust and learns of the abuse and violence Abraham was subjected to as a child that caused him to hide away from the world - barely sleeping, too afraid to get undressed even in the shower.Over the many years they meet, Abraham’s unfolding story and bravery inspire O’Neill to confront his own complicated past. Together they achieve something radical, as Abraham creates his own kind of therapy and teaches O’Neill to do the same.
Blues Music in the Sixties
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties discusses these developments, including the international aspects of the blues. It highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.
Indianapolis Monthly
Indianapolis Monthly is the Circle City’s essential chronicle and guide, an indispensable authority on what’s new and what’s news. Through coverage of politics, crime, dining, style, business, sports, and arts and entertainment, each issue offers compelling narrative stories and lively, urbane coverage of Indy’s cultural landscape.
Ink
The product of a hardscrabble childhood, J. Mayo “Ink” Williams parlayed an Ivy League education into unlikely twin careers as a foundational producer of Black music and pioneering Black player in the early NFL. Clifford R. Murphy tells the story of an ambitious, upwardly mobile life affected, but never daunted, by white society’s racism or the Black community’s class tensions. Williams caroused with Paul Robeson, recorded the likes of Ma Rainey and Blind Lemon Jefferson, and lined up against Chicago Bears player-coach George Halas. Though resented by the artists he exploited, Williams combined a rock-solid instinct for what would sell with an ear for music that put him at the forefront of finding, recording, and blending blues and jazz. Murphy charts Williams’s wide-ranging accomplishments while providing portraits of the cutthroat recording industry and the possibilities, however constrained, of Black life in the 1920s and 1930s. Vivid and engaging, Ink brings to light the extraordinary journey of a Black businessman and athlete.
