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Remapping Sound Studies
The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam
The Musical Gift
The Musical Gift tells Sri Lanka's music history as a story of giving between humans and nonhumans, and between populations defined by difference. Author Jim Sykes argues that in the recent past, the genres we recognize today as Sri Lanka's esteemed traditional musics were not originally about ethnic or religious identity, but were gifts to gods and people intended to foster protection and/or healing. Noting that the currently assumed link between music and identity helped produce the narratives of ethnic difference that drove Sri Lanka's civil war (1983-2009), Sykes argues that the promotion of connected music histories has a role to play in post-war reconciliation. The Musical Gift include...
Somebody's Ned
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The Doomsday Survivor
Tim Connor has just lost his father, a Vietnam veteran, to an untimely death. His girlfriend, Allie, tries to support him, but she has plans of her own that involve leaving Baltimore and embarking on a new acting career. The death of Tim’s father, however, inadvertently involves the young couple in a plot that could get them both killed. A domestic terrorist group is planning to attack the United States government. Led by the ruthless Vance Galvin, this group hopes to kill off the president, as well as everyone in his line of succession, leaving only Galvin’s inside man to act as commander-in-chief. This leading man will survive the DC doomsday and create an America to match the ideals of the Founding Fathers: a white, Christian nation. Galvin has amassed conventional ordnance and weapons of mass destruction that will give him his revenge. He blames the US government for the death of his family at Waco, Texas, in 1993, and he longs to purify his homeland. Galvin believes Tim has information that could ruin the plan, but Galvin has made things too personal, which can get messy, and now his perfect plan could fall to pieces at the hands of a veteran’s son.
The Body on the Train
Frances Brody's eleventh Kate Shackleton mystery is sure to delight readers of Rhys Bowen and Jacqueline Winspear. Two murders. A one-way ticket to trouble. And it's up to Kate to derail the killer. London, 1929. In the darkness before dawn, a railway porter, unloading a special train from Yorkshire, discovers a man's body, shot and placed in a sack. There are no means of identification to be found and as Scotland Yard hits a dead end, they call on the inimitable Kate Shackleton, a local sleuth, confident her local knowledge and investigative skills will produce results. But it's no easy task. Suspicion of political intrigue and fears of unrest in the Yorkshire coalfields, impose secrecy on ...
Sounding Islam
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.
