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My ex-boyfriend and best friend stole the best five years of my youth, but they gave me a better decade. Liang Sheng was an accident at the end of my youth, but he was also the helplessness of my life. He approached me time and time again, but I kept pushing him away.
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
An insightful look into contemporary Chinese avant-garde fiction and the problem of Chinese postmodernity
Annotation. Historians and anthropologists have long been interested in South China where powerful lineages and gendered hierarchies are juxtaposed with unorthodox trading cultures, multi-ethnic colonial encounters, and market-driven consumption. The divergent paths taken by women in Hong Kong and Guangdong during thirty years of Maoist closure, and the post-reform cross-border fluidities have also gained analytical attention.
As the second volume of a two-volume seminal work on contemporary New Confucianism in China, this book focuses on six leading thinkers of this intellectual movement in the 20th century. Contemporary New Confucianism refers to the Confucianism or Confucian thought that has emerged in China since the 1920s, which aims to revive the spirituality of Confucianism in a changing society. This volume introduces the philosophical thought of Zhang Junmai, Feng Youlan, He Lin, Fang Dongmei, Tang Junyi, and Mou Zongsan, including Zhang's political philosophy and comparative philosophy, Feng's transformation of Chinese philosophy, He's idea of culture and "spirit-only idealism," Fang's comparative philosophy, Tang's idea of moral self and theory of human spiritual realms, and Mou's new ontology for Confucianism. It analyzes their divergences and the contemporary relevance of their thought in terms of revisiting and transforming traditional Chinese philosophy and reconciling Chinese and Western traditions. This title will appeal to scholars and students of modern and contemporary Confucianism, intellectual history, philosophy and thought of contemporary China, and comparative philosophy.