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Brief history of Hereford cattle: v. 1, p. 359-375.
This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.
Offers a year-by-year examination of "the Great War," recounting the experiences of politicians, civilians, and soldiers, to provide insights into the war and its aftermath
This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the "memory boom" is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers "theaters of memory"-film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.
This second edition of the classic bestseller by J.M. Winter, originally published by Macmillan in 1985, includes a new and up-to-date introduction. This was the first major study to highlight the paradox that a conflict that killed or maimed over two million men, also created conditions which improved the health of the civilian population. Examining both the war and its aftermath, Dr Winter surveys not only trends in population and the impact of the conflict on an entire generation, but also, more profoundly, the meaning of the literature of the period.
Jay Winter's powerful 1998 study of the 'collective remembrance' of the Great War offers a major reassessment of one of the critical episodes in the cultural history of the twentieth century. Dr Winter looks anew at the culture of commemoration and the ways in which communities endeavoured to find collective solace after 1918. Taking issue with the prevailing 'modernist' interpretation of the European reaction to the appalling events of 1914 18, Dr Winter instead argues that what characterised that reaction was, rather, the attempt to interpret the Great War within traditional frames of reference. Tensions arose inevitably. Sites of Memory, Sites of Mourning is a profound and moving book of seminal importance for the attempt to understand the course of European history during the first half of the twentieth century."
What is a beast if not heat that can hold my weight on its back or around its arms fears no evil and has better sight to see it everyone warns me he'll leave a mark I tell them, "no" he traces my wounds with his teeth and it spells out survivor.
Following the death of her father, a twelve-year-old girl takes a summer job instead of going to camp with a friend as planned.