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Published by leading outsider art imprint Raw Vision, Singular Spaces is a groundbreaking survey of art environments created by self-taught artists from across Spain. The book introduces and examines 45 artists and their idiosyncratic sculptures, gardens and buildings, most of which have never been published. The sites are developed organically, without formal architectural or engineering plans; they are at once evolving and complete. Often highly fanciful and quixotic, the work is frequently characterized by incongruous juxtapositions, an approach that appears impulsive and spontaneous. Director of the organization SPACES (Saving and Preserving Arts and Cultural Environments), Jo Farb Hernández, combines detailed case studies of the artists and their work with contextualized historical and theoretical references to art history, anthropology, architecture, Spanish area studies and folklore. Breaking down the standard compartmentalization of genres, she reveals how most creators of art environments, who are building within their own personal spaces, fuse their creations with their daily lives.
An innovative study of artists balancing tradition with creativity
The volume Singular Spaces II completes the comprehensive and groundbreaking study of art environments created by self-taught artists from across Spain, documented by Jo Farb Hernández, director emerita of the world's most important archives on these monumental sites. It introduces and examines 99 artists and their intriguing and idiosyncratic sculptures, homes, and gardens, most of which have never been thoroughly documented or previously published; the author has cast a wide net to ensure all regions of Spain are represented, as are all kinds of spaces assembled with all kinds of materials. These sites are developed organically, without formal architectural or engineering plans: they are ...
Published in conjection with an exhibition at the Menil Collection, Houston, June 10-October 16, 2016.
" Essays by thirteen folklorists explore applications in such areas as museums, aiding the homeless, environmental planning, art therapy, designing public spaces, organizing development, tourism, the public sector, aging, and creating an occupation's image."
What can you do with a folklore degree? Over six dozen folklorists, writing from their own experiences, show us. What Folklorists Do examines a wide range of professionals—both within and outside the academy, at the beginning of their careers or holding senior management positions—to demonstrate the many ways that folklore studies can shape and support the activities of those trained in it. As one of the oldest academic professions in the United States and grounded in ethnographic fieldwork, folklore has always been concerned with public service and engagement beyond the academy. Consequently, as this book demonstrates, the career applications of a training in folklore are many—advocat...
A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes ...
Because clothing, food, and shelter are basic human needs, they provide excellent entries to cultural values and individual aesthetics. Everyone gets dressed every day, but body art has not received the attention it deserves as the most common and universal of material expressions of culture. The Grace of Four Moons aims to document the clothing decisions made by ordinary people in their everyday lives. Based on fieldwork conducted primarily in the city of Banaras, India, Pravina Shukla conceptualizes and realizes a total model for the study of body art—understood as all aesthetic modifications and supplementations to the body. Shukla urges the study of the entire process of body art, from the assembly of raw materials and the manufacture of objects, through their sale and the interactions between merchants and consumers, to the consumer's use of objects in creating personal decoration.
Misch Kohn: Beyond the Tradition is the first comprehensive study of one of the most significant master printmakers of the modern era. Hailed as a pioneer for "breaking the shackles of conventionality," Kohn has been lauded for reinvigorating printmaking in post-war America. Now, for the first time, this book brings together work from all six decades of his artistic career. This book chronicles sixty years of Kohn's prints, from the early W. P. A. lithographs through the startlingly evocative wood engravings of the 1950s, the technical innovations with etching and serigraphy of the 1960s, and his "all media" works of the 1970s, '80s, and '90s. An essay about his life and analysis of his work is complemented by numerous illustrations and the first catalogue raisonne of the prints.
The first examination of the evocative paintings of the self-taught African American artist Horace Pippin in over twenty years. Horace Pippin's response to the question of what made him a great painter: "I paint it the way I see it." This exciting new publication will look closely at Pippin (1888-1946) as an artist who was embraced by the art world, yet remained independent, creating and upholding a unique aesthetic sensibility while also candidly, if subtly, expressing his opinions on a wide range of social issues. A self-taught master of form, colour and composition, Pippin vividly depicted a range of subject matter, from scenes of war, history and religion, to sporting scenes, floral stil...