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'... a significant, wide-ranging study ... Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.
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Executed Women of the 20th and 21st Centuries provides a look into the lives, crimes, and executions of women during the 20th and 21st centuries. Rather than dealing with these women as numbers and statistics, this book presents them as human beings. Each of these women had lives, histories, and families. The purpose is not to condone their actions, but to suggest that those we executed are, in fact, humans—rather than monsters, as they are often portrayed.
The Thomas Henry Correspondence Collection was donated to the Archival Collection of the Oshawa Museum in the spring of 2013. The Collection of over 520 individual documents, including personal letters, receipts and business correspondence covering the period of 1850s to 1890s, seemed to almost be the contents of Thomas Henry's desk. Within the collection was a group of letters written to Thomas Henry from his children, grandchildren and other family members. These letters offer an intimate and personal view into the life of one of Oshawa's earliest settler families.
Between 1937-41, the tragic past of the fullback for the University of Kentucky football team was a guarded secret. No one was sure where he had come from. And no one knew why he never spoke about his family. All they knew was that Claude Hammond was extremely tough. Claude was an orphan from a mean Appalachian coal town. He witnessed his own mother's murder and lived on the streets before being taken in by distant family members. He knew, somehow, that he was his family's only hope for a future. Through courage and sheer determination, Claude transformed his own life and the lives of his family members, putting his own children as well as nieces and nephews through college. He was a catalyst, transforming a family from tragedy and poverty to education and prosperity. Claude kept his past a secret, even from his own children. As a college student in the 1970s, the author discovered the shocking facts about his father's childhood. How Claude overcame tragedy is an inspiring story.
Beginning in 1924, Proceedings are incorporated into the Apr. number.
A small town in Virginia goes to war with the Confederacy. A young woman joins the regiment to be with her true love. This powerful tale follows the lady as she participates in the major battles. We share her experiences and emotions during the conflict.
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.