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Medieval German Literature
This comprehensive survey examines Germanic literature from the eighth century to the early fifteenth century. The authors treat the large body of late-medieval lyric poetry in detail for the first time.
Der Weg zur deutschen Sprache
Im Buch wird der jahrtausendelang verfolgbare Prozeß geschildert, der zur Entstehung der deutschen Sprache führt, unter Angabe der Begleitumstände, sozialer, politischer, kultureller und nicht zuletzt materieller und klimatischer Art.
Courtly Culture
Every aspect of "courtly culture" comes to life in Joachim Bumke's extraordinarily rich and well-documented presentation. A renowned medievalist with an encyclopedic knowledge of original sources and a passion for history, Bumke overlooks no detail, from the material realities of aristocratic society -- the castles and clothing, weapons and transportation, food, drink, and table etiquette -- to the behavior prescribed and practiced at tournaments, knighting ceremonies, and great princely feasts. The courtly knight and courtly lady, and the transforming idea of courtly love, are seen through the literature that celebrated them, and we learn how literacy among an aristocratic laity spread from France through Germany and became the basis of a cultural revolution. At the same time, Bumke clearly challenges those who have comfortably confused the ideals of courtly culture with their expression in courtly society.
Justice and the Social Context of Early Middle High German Literature
This book argues that far from preaching traditional, otherworldly ideals, the authors or these religious works were deeply engaged in the social, political, and spiritual issues that characterized the Holy Roman Empire at a time of radical transformation.
Wagner's Ring in 1848
In 1848 Richard Wagner began what would become the largest stage work of his career, the Ring of the Nibelung. In preparation for the task he composed an overview of the Nibelung myth designed to lead to a drama; he then composed the verse "libretto" Siegfried's Death. Although he abandoned the idea of a single opera on Siegfried in favor of the huge project that developed out of it in the succeeding years -- the Ring cycle -- he did consider the two early documents important enough to include them in his collected works. The present volume seeks to inform the English-speaking reader in three ways: by providing modern, reliable translations of the two Wagner texts, which are otherwise not av...
Handbook of Medieval Studies
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
The Cambridge History of German Literature
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
The Grand Design of God
This book, originally published in 1972, offers a stimulating account of the Christian tradition of historiography as it is reflected in works of literature and history. The discussion ranges from the pre-Christian The Iliad up to the 1970s. The author considers subjects such as the Mystery Plays in the medieval synthesis, the nature of the evidence provided by the Renaissance authors in England and the Continent, the contemporary world. The book examines the attitudes of historians and at the use historians have made of the Christian view of history.
