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'Symbolising' - i.e., representing through the use of media - is a more elementary, more foundational activity than the self-conscious use of the intellect. Its exploration is central to this investigation of the transformation of the pre-exilic Yahweh religion into the monotheism of the post-exilic period. That transformation was triggered by a new constellation of key media in the pre-exilic and exilic periods: writing, images, and money. The central objective is to understand how their use contributed to a decisive increase in abstraction in representation and led to changes in the conceptualisation of divine presence and its representation that ultimately resulted in the transition from monolatry to monotheism. In this study, Joachim Schaper explores neglected areas of Judahite material culture and contributes to an in-depth reconstruction of Judah's religious history in its most important epoch, and thus of one of the key developments in the religious history of humanity.
The question of the extent to which the Septuagint reflects an evolution in messianic belief in comparison with the Masoretic Text has come into prominence in recent years, and in view of the role played by messianism in Jewish belief of the late Second Temple period and in early Christianity it seemed very appropriate that "The Septuagint and Messianism" should be chosen as the theme of the 2004 Colloquium Biblicum Lovaniense. This volume contains the papers given at the Colloquium, which are concerned both with methodological issues and with the interpretation of specific texts (in practice the majority of the texts in the Septuagint for which a messianic interpretation has been claimed). ...
Collected essays on the Old Greek Psalter by linguistic and textual scholars highlighting its significance for biblical research and related disciplines. This tribute to Albert Pietersma of the University of Toronto is offered by a highly distinguished international panel of scholars, including John W. Wevers, Takamitsu Muraoka, Anneli Aejmelaeus, Emanuel Tov, Johan Lust, Robert A. Kraft, Johann Cook, Arie van der Kooij, Moises Silva and Claude E. Cox. The focus of the volume is on the Old Greek Psalter and its significance for biblical research and related disciplines, where it marks a definitive statement of research questions and issues in this increasingly important area of biblical textual studies.
What is the role of performance in faith practices? How is performance understood in and across a range of faith settings? How are performance and faith conceptualised through different academic disciplines? This collection of essays addresses these questions, and others, as it explores the complex relationship present in the nexus between faith and performance. A naturally inter-disciplinary work, this book contains contributions from a diverse group of scholars representing a wide range of methodologies and theoretical perspectives. As sociolinguists explore how language performance shapes and is shaped by faith, social anthropologists and psychologists examine how identity performance is crucial in negotiating faith identities, and scholars from theatre and performance studies engage with ways material settings are performatively transfigured to create sacred spaces (to mention but a few approaches covered in this book), the reader is taken on a journey of the world’s faiths and their diverse practices.
At the core of this book is the interplay between technological and business innovation and social practice. Although the bene?ts of 50 years of rapid advances in digital telecommunications and computing technology have not bene?ted everyone equally, they have nevertheless transformed almost every aspectofthewaywelive.Oneareawheretechnologyhashada clearimpactis in the way we conduct business. The rate of change that brings about mod- nity has been considerably strengthened by technological advances applied to product manufacturing, distribution, ?nancing, and management, which arguably form the substrate for globalization and consumerism. It is thus no surprise that businesses closely monito...
This volume presents the main lectures of the 23rd Congress of the International Organization for the Study of the Old Testament (IOSOT) held in Aberdeen, United Kingdom, in August 2019.
In Created Equal, Joshua Berman engages the text of the Hebrew Bible from a novel perspective, considering it as a document of social and political thought. He proposes that the Pentateuch can be read as the earliest prescription on record for the establishment of an egalitarian polity. What emerges is the blueprint for a society that would stand in stark contrast to the surrounding cultures of the ancient Near East -- Egypt, Mesopotamia, Ugarit, and the Hittite Empire - in which the hierarchical structure of the polity was centered on the figure of the king and his retinue. Berman shows that an egalitarian ideal is articulated in comprehensive fashion in the Pentateuch and is expressed in its theology, politics, economics, use of technologies of communication, and in its narrative literature. Throughout, he invokes parallels from the modern period as heuristic devices to illuminate ancient developments. Thus, for example, the constitutional principles in the Book of Deuteronomy are examined in the light of those espoused by Montesquieu, and the rise of the novel in 18th-century England serves to illuminate the advent of new modes of storytelling in biblical narrative.
This volume from the International Organization for Septuagint and Cognate Studies (IOSCS) includes the papers given at the XVII Congress of the IOSCS, which was held in Aberdeen in 2019. Essays in the collection fall into five areas of focus: textual history, historical context, syntax and semantics, exegesis and theology, and commentary. Scholars examine a range of Old Testament and New Testament texts. Contributors include Kenneth Atkinson, Bryan Beeckman, Elena Belenkaja, Beatrice Bonanno, Eberhard Bons, Cameron Boyd-Taylor, Ryan Comins, S. Peter Cowe, Claude Cox, Dries De Crom, Paul L. Danove, Crispin Fletcher-Louis, Frank Feder, W. Edward Glenny, Roger Good, Robert J. V. Hiebert, Gideon R. Kotzé, Robert Kugler, Nathan LaMontagne, Giulia Leonardi, Ekaterina Matusova, Jean Maurais, Michaël N. van der Meer, Martin Meiser, Douglas C. Mohrmann, Daniel Olariou, Vladimir Olivero, Luke Neubert, Daniel Prokop, Alison Salvesen, Daniela Scialabba, Leonardo Pessoa da Silva Pinto, Martin Tscheu, and Jelle Verburg.
A translated text is laced with interpretive assumptions. By focusing on the Septuagint, J. Ross Wagner highlights the creative theology hidden in translation. His model couples patient investigation of the act of translation with careful attention to the translated texts' rhetorical features. Wagner focuses upon Isaiah's opening vision, clarifying its language, elucidating its character, and contextualizing its message. Reading the Sealed Book demonstrates how such translations serve as distinctive contributions to theology and reveal the contours of Jewish identity in the Hellenistic diaspora.