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Building Coalitions
A series of fact sheets on topics related to coalition formation & maintenance: networking, understanding the process, construction of a coalition, coalition facilitator guide, coalition functioning, coalition goal setting, communication in coalitions, mobilizing the community, working with diverse cultures, tapping private sector resources, turf issue, & much more.
The Reel Middle Ages
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
Handbook of Lithium Therapy
As a medical student in the 1930s, I remember well that a very clear line of distinction was drawn between physical illness and mental illness. Physical illness resulted from pathology which could be identified and studied in detail and the cause could often be deduced. Treatment thus was often specific and based upon a proper appreciation of underlying basic science. Mental illness, on the other hand, could not, it was believed, be based upon identifiable changes in basic science. It was literally 'all in the mind' and, occurring in the absence of causes that could be identified, analysed and remedied, had no treatment that could in any way be called specific. N ow it is all too easy, in Me...
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The Secret Duchess
When the Duke of Stanmere’s will reveals a nasty secret, London Society is shocked—and so is his widow, Joan. Humiliated by the scandal, Joan flees to Inverley in disguise. Surely the quaint seaside town would be the last place anyone would look for a duchess on the run. After her mother’s remarriage, fashionable spinster Miss Maeve Balfour must make a living with hands whose only labor has been arranging her hair into the latest style. With nowhere to turn and nothing to lose, she persuades mysterious newcomer Joan to let her stay in her manor house. Although entranced by worldly and seductive Maeve, Joan doesn’t know if she can trust again. As Maeve learns Joan’s secrets, she yearns to protect her from the men who have sought to destroy her. But can a spinster and a widow dare to defy a dukedom—and win each other’s hearts?
Tchaikovsky and His World
Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from ...
Word-By-Word Translations of Songs and Arias, Part I
This classic test first published in 1966 has withstood the test of time as a teaching aid for English-speaking singers, coaches, and accompanists, in order that their art may be more communicative to the public. This word-by-word translation allows the artist to properly interpret and express the feelings and emotions that the words require at the proper time.
When Charlie Met Joan
Charlie Chaplin, the silent screen’s “Little Tramp,” was beloved by millions of movie fans until he starred in a series of salacious, real-life federal courtroom dramas. The 1944 trial was described by ace New York Daily News reporter Florabel Muir as “the best show in town.” The leading lady was a woman under contract to his studio—red-haired ingénue Joan Barry, Chaplin’s protégée and former mistress. Although he beat the federal criminal trial, Chaplin lost a paternity case and had to pay child support despite blood type evidence that proved he was not the child’s father. A decade later during the Cold War, the U.S. government used the Barry trials as an excuse to bar th...
