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This volume brings together nineteen essays that marked the bicentenary of Jane Austen's birth and reflect twentieth-century critical attitudes.
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Examines adaptations of classic dramatic works by controversial American directors.
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime...
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality...
This report, prepared for the government by the National Consumer Council, examines money transmission, access to banking services, new technology, banking and the law, disputes between bank and customer, saving and borrowing. There are special sections on Northern Ireland and Scotland and on bank executor and trustee work – all from a consumer perspective. It is based on the findings of two surveys of consumer attitudes to banking services and evidence from the banks and building societies themselves.
THE STORY: As the play begins, the young Henri de Toulouse-Lautrec is already in rebellion against the constraints of his noble breeding and background, and determined to become an artist. Heading for Paris, he takes up residence in a bordello (muc
Originally published in 1988, this revised and expanded edition of Donald C. MacDonald’s acclaimed memoirs provides an inside look at provincial politics in Ontario through the eyes of a party leader. Dubbed "the Happy Warrior" by Tommy Douglas, MacDonald led the Ontario CCF/NDP for seventeen years, and continued to sit in the Legislature for twelve years after stepping down as party leader. During his political career, MacDonald played a significant role in the rise of the CCF/NDP, and provided a strong voice for the left wing in the Legislature. He also witnessed and criticized various scandals that plagued ruling parties.