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Never See a Need is an account of the lives and works of the Sisters of St Joseph of the Sacred Heart in South Australia from the time of their foundation in 1866 until Mary MacKillop's canonisation in 2010. Much happened during those 144 years. There were dark times and bright times, times of growth and expansion interspersed with times of decline, times of stability and times of change, and through it all, the members of the Congregation never forgot their call to do what they could to remedy the evils and ills of their society. They were educators, but they also looked out for the welfare of the poor and disadvantaged in different ways as they moved across the landscape to wherever they were needed, always a "people on the move" but always stable in their devotion to their ministry.
Taking a radical position counter to many previous histories and theories of the interior, domesticity and the home, The Emergence of the Interior considers how the concept and experience of the domestic interior have been formed from the beginning of the nineteenth century. It considers the interior's emergence in relation to the thinking of Walter Benjamin and Sigmund Freud, and, through case studies, in architecture's trajectories toward modernism. The book argues that the interior emerged with a sense of 'doubleness', being understood and experienced as both a spatial and an image-based condition. Incorporating perspectives from architecture, critical history and theory, and psychoanalysis, The Emergence of the Interior will be of interest to academics and students of the history and theory of architecture and design, social history, and cultural studies.
Once upon a time in South Australia, politics had no parties and pastoral country no fences. In the mid-19th century, William Morgan and Peter Waite from Bedfordshire and Fife arrived to fill the vacuum.
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
From the astonishingly talented writer of The Accidental and Hotel World comes Ali Smiths brilliant retelling of Ovids gender-bending myth of Iphis and Ianthe, as seen through the eyes of two Scottish sisters. Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. Funny, fresh, poetic, and political, Girl Meets Boy is a myth of metamorphosis for a world made in Madison Avenues image, and the funniest addition to the Myths series from Canongate since Margaret Atwoods The Penelopiad.
A playful, form-bending novel from the Booker Prize-shortlisted, Women's Prize-winning author of How to be both and the critically acclaimed Seasonal quartet 'Playful and audacious' Independent Narrated by a character who is haunted - literally - by a former lover, Artful slips slyly between fiction and essay, guiding the reader thrillingly through a sequence of ideas on art and literature. With Smith's trademark humour, inventiveness, poignancy and critical insight, this is unique experiment in form, style, life, love, death, immortality and what art can mean. Based on four electrifying lectures given by the author at Oxford University, and exploring the explosive connections between art, story, memory and grief - Artful is a tidal wave of ideas to blast away the cobwebs and change how you see the world. ***** 'Artful is a revelation; a new kind of book altogether . . . makes you glad to be alive' Jackie Kay 'Powerful and moving' London Review of Books 'Blending of criticism and fiction, Artful belongs in a genre of its own . . . Joyful for anyone interested in the art of writing, and living, well' Anita Sethi, New Statesman
Joanna Wilson and Gerhard May have assembled a collection of the key molecular biology protocols used in the analysis of Epstein-Barr virus (EBV), along with a series of valuable immunology, cell biology, and transgenic mouse protocols. These readily reproducible techniques include methods for gene expression with mini-EBV plasmids, for expression analysis by FISH, for EBV detection and quantitation, and for cell proliferation and death assays. In addition, there are EBV-based vectors, an up-to-date map of EBV, a comprehensive table of available latent protein antisera, and assays from in vitro to cell to organ to organism levels. Timely and highly practical, Epstein-Barr Virus Protocols provides powerful tools for elucidating the life cycle of EBV and its host interactions, work that promises the emergence of major new treatments and cures for EBV associated diseases, including several forms of human cancer.
Catherine Helen Spence, an unparalleled advocate of women's rights in Australia and the world, is now recognized as an important predecessor to the Feminist movement. Her autobiography, composed while on her deathbed and enhanced with scholarly annotation from two Spence scholars, reveals a woman both in and ahead of her time.