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In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Poloniz...
The historiography of death, memory, and testamentary practices is already abundant in Western Europe and a fairly large number of extra-European regions. For East-Central Europe there are many short studies in various regional languages, mainly on anthropological/ethnographic aspects of the funeral rituals. This is an edited collection of studies by international scholars on the interlocking themes of attitudes and discourses on death, commemorative practices, and inheritance/testamentary strategies in the Balkans and East-Central Europe. These and other related themes are addressed comparatively and cover areas including Albania, Bulgaria, Romania, Greece, and areas of the former Yugoslavi...
In The Representation of External Threats, Eberhard Crailsheim and María Dolores Elizalde present a collection of articles that trace the phenomenon of external threats in a multitude of settings across Asia, America, and Europe. The scope ranges from military threats against the Byzantine rulers of the 7th century to the perception of cultural and economic threats in the late 19th century Atlantic, and includes conceptual threats to the construction of national histories. Focussing on the different ways in which such threats were socially constructed, the articles offer a variety of perspectives and interdisciplinary methods to understand the development and representations of external threats, concentrating on the effect of 'threat communication' for societies and political actors. Contributors are Anna Abalian, Vladimir Belous, Eberhard Crailsheim, María Dolores Elizalde, Rodrigo Escribano Roca, Simon C. Kemper, Irena Kozmanová, David Manzano Cosano, Federico Niglia, Derek Kane O’Leary, Alexandr Osipian, Pedro Ponte e Sousa, Theresia Raum, Jean-Noël Sanchez, Marie Schreier, Stephan Steiner, Srikanth Thaliyakkattil, Ionut Untea and Qiong Yu.
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
The year 2014 marks the 300th anniversary of the death of the great German Baroque sculptor and architect Andreas Schlüter. In commemoration, this second issue of the new serial publication »Schlüteriana: Studies in the Art, Life, and Milieu of Andreas Schlüter«*, written and edited by its author, presents two articles on this brilliant artist’s creations. Schlüter was a master of truly international significance whose work is relatively well-known to scholars and the general public within the borders of Europe’s German-speaking countries but much less so to readers outside them. Yet a great deal of research, cataloguing, and analysis of his art still remains to be accomplished and...
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