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The Nightfields
A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück) Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
They are Sleeping
In They Are Sleeping, Joanna Klink tests the limits of solitude, setting her poems in places where our grip on “self” is loosened and blurred--caves, coastlines, rooms in cities. As her poems lead us through these sometimes beautiful, sometimes appalling internal landscapes, characters like the Hanged Man and the Lady of Situations reappear, often locked in misunderstanding but compelling us toward a more fragile and expansive sense of self.
Raptus
New from a poet whose "intensity makes the world visible" (Linda Gregg) "Everywhere, a forceful, scrupulous intelligence is active- a luminous diction, a range of cadences." So has Mark Strand written of the work of Joanna Klink, who has won acclaim for elegant, sensual, and musical poems that "remain alert to the reparations of beauty and song" (Dean Young). The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.
Circadian
A beautiful new collection from an acclaimed poet The poems in Joanna Klink’s new collection Circadian take as their guiding vision circadian clocks. Moved by the presence and withdrawal of light, these internal clocks influence rhythms of sleeping and waking: the opening and closing of flowers, the speed at which the heart pumps blood, the migratory cycles of birds. With love poems and prayers, Joanna Klink offers us patterns of glowing alertness and shared life, patterns that speak to the flickering circuit between inner and outer landscapes, that bind each beating heart to the pull of the tides.
The Penguin Anthology of Twentieth-century American Poetry
An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.
High Ground Coward
Alicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. “Ferocious, even the softest part,” Mountain shows us “a way to fall in love wi...
Fretwork
"Poetry book by Kuhl House Poet Michele Glazer"--
Please Excuse This Poem
One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.
Swarm Queen's Crown
None
Perennial
The events of 1999’s Columbine shooting preoccupy Forsythe in these poems, refracting her vision to encompass killer, victim, and herself as a girl, suddenly aware of the precarity of her own life and the porousness of her body to others’ gaze, demands, violence. Deeply researched and even more deeply felt, Perennial inhabits landscapes of emerging adulthood and explosive cruelty—the hills of Pittsburgh and the sere grass of Colorado; the spines of books in a high school library that has become a killing ground; the tenderness of children as they grow up and grow hard, becoming acquainted with dread, grief, and loss.
