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Rape
Joanna Bourke takes the issue of rape out from the academic ghettos and distills the truth so often exploited to sell newspapers. Neither prurient nor overly sympathetic, she investigates rape from a historical standpoint examining the history of sexual aggression, the idea of rape as a social construct, and the often–ignored idea of embodiment, and analyzes the physical response of rapists as well as the often–cited "rape is about power" theories. Indebted to a growing body of sophisticated feminist analyses about rape victims, Bourke here shifts the emphasis from the victims to the perpetrators in order to place rapists in their historical context. An invaluable study, this book delivers the hard truth that if we are to imagine a world free of unwanted sexual violence, then we must consider the issue of rape from every angle.
The Philosophy of Sex
With twenty-five essays, seven of which are new to the eighth edition, this best-selling volume examines the nature, morality, and social meanings of contemporary sexual phenomena. Topics include: sexual desire and activity, masturbation, Sexual orientation, asexuality, transgender issues, Zoophilia, rape, casual sex and promiscuity, love and sex, polyamory, sexual consent, sexual, perversion, sexual ethics, objectification, BDSM, sex and technology, sex and race, and sex work. Updated and new discussion questions offer students starting points for debate in both the classroom and the bedroom.
Surviving the Unipolar Era
On June 29, 1950, the U.S. launched its first ever air strikes on the North Korean capital, Pyongyang, marking the start of what would become the longest conflict in history between two industrial powers. Four decades later, the end of the Cold War in 1989 and the disintegration of the Soviet Union in 1991 marked the beginning of a new phase of the conflict, with a new unipolar world order centered on the power of the U.S. and Western world leaving North Korea in unprecedented isolation. Now unsupported in its fight against a Western superpower intent on its destruction, the small but technologically adept and heavily militarized East Asian state would need to adopt more radical measures to ...
Winifred Holtby's Social Vision
Winifred Holtby (1898–1935) is best-known today for her friendship with fellow feminist and pacifist Vera Brittain and for her last novel, South Riding. This is the first monograph to provide a literary criticism of Holtby’s social philosophy and presents in-depth readings of all her major works as well as some of her less well-known writing.
The Intimate State
The Intimate State explores how state-supported mental health initiatives made emotional intimacy both politically valued and personally desired during a crucial period of modern British psychiatric and cultural history. Focusing on the transformative decades following World War II, Teri Chettiar narrates the surprising story of how individual emotional wellbeing became conflated with inclusive democracy and subsequently prioritized in the eyes of scientists, politicians, and ordinary citizens. This new model of emotional health promoted nuclear families and monogamous marriage relationships as fundamental for individual and political stability and fostered unexpected collaborations between ...
American Cinema of the 1940s
The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life with such films as Citizen Kane, Rebecca, The Lady Eve, Sergeant York, How Green Was My Valley, Casablanca, Mrs. Miniver, The Road to Morocco, Yankee Doodle Dandy, Kiss of Death, Force of Evil, Caught, and Apology for Murder. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.
