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Women, Theatre and Performance
This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.
It is Later Than You Think
This book was first published in 1938, and it was regarded as a tract for the times—an impression which its title and its note of tension reinforced. In this new edition the author extends the analysis to the events of the intervening years.
The Bulletin
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Wrestling With the Angel: A Memoir of My Triumph Over Illness
Journalist Max Lerner writes a stunningly honest account of the feelings and thoughts that marked his battle with two successive cancers and a heart attack. Journal entries from this extraordinary ordeal show how mind and body interweave in the healing process. "A worthy companion to Anatomy of an Illness." —Kirkus Reviews
Ibsen's Hedda Gabler
Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salom , and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, ...
