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Joanna Weinberg's love affair with cooking began at college. While she survived on pasta ... and more pasta, her sister would call from London with salacious stories of extra virgin olive oil, smoky pancetta and hunks of fresh Parmesan. Inspired, she started cooking for her friends, realising early on that a great meal was about the company as much as the food and that so many cookbooks forgot this most vital of ingredients. Which is how Relish came about. It is full of recipes, of course, arranged in 47 menus for every occasion, from an impromptu kitchen supper to a massive birthday party; from a cosy afternoon tea to a summer barbecue. But much more importantly, it is a reminder of how to nourish friends and friendship, and will delight anyone who, like Joanna, believes that food is love.
Flexible and inspirational recipes for cooks with families
“[An] extraordinary book.” —New Republic Fusing high scholarship with high drama, Anthony Grafton and Joanna Weinberg uncover a secret and extraordinary aspect of a legendary Renaissance scholar’s already celebrated achievement. The French Protestant Isaac Casaubon (1559–1614) is known to us through his pedantic namesake in George Eliot’s Middlemarch. But in this book, the real Casaubon emerges as a genuine literary hero, an intrepid explorer in the world of books. With a flair for storytelling reminiscent of Umberto Eco, Grafton and Weinberg follow Casaubon as he unearths the lost continent of Hebrew learning—and adds this ancient lore to the well-known Renaissance revival of ...
An analysis of the relationships between pagan Greece, imperial Rome, Judaism, and Christianity.
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and ...
Jews in the Early Modern World presents a comparative and global history of the Jews for the early modern period, 1400-1700. It traces the remarkable demographic changes experienced by Jews around the globe and assesses the impact of those changes on Jewish communal and social structures, religious and cultural practices, and relations with non-Jews.
"In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer òHasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. This book tells the story of how these men came to produce such a book"--
By the mid-sixteenth century, Jews in the cities of Italy were being crowded into compulsory ghettos as a result of the oppressive policies of Pope Paul IV and his successors.The sermons of Jewish preachers during this period provide a remarkable vantage point from which to view the early modern Jewish social and cultural landscape. In this eloquent collection, six leading scholars of Italian Jewish history reveal the important role of these preachers: men who served as a bridge between the ghetto and the Christian world outside, between old and new conventions, and between elite and popular modes of thought. The story of how they reflected and shaped the culture of their listeners, who felt the pressure of cramped urban life as well as of political, economic, and religious persecution, is finally beginning to be told. Through the words of the Italian ghetto preachers, we discover a richly textured panorama of Jewish life more than 400 years ago.
The book deals with the coordinates of a oemodernitya as premises of Jewish philosophy in the Renaissance and early modern period.
By bringing together two apparently unrelated issues - the role of censorship in the creation of print culture and the place of Jewish culture within the context of Christian society - the author advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.