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The Ethics of Husserl's Phenomenology aims to relocate the question of ethics at the very heart of Husserl's phenomenology. This is based on the idea that Husserl's phenomenology is an epistemological inquiry ultimately motivated by an ethical demand that pervades his writing from the publication of Logical Investigations (1900-1901) up to The Crisis of European Sciences and Transcendental Phenomenology (1935). Joaquim Siles-Borràs traces the ethical concepts apparent throughout Husserl's main body of work and argues that Husserl's phenomenology of consciousness, experience and meaning is ultimately motivated by an ethical demand, by means of which Husserl aims to re-define philosophy and re-found science, with the aim of making philosophy and science capable of dealing with the most pressing questions concerning the meaningfulness of human existence.
Max Scheler and Nicolai Hartmann developed ethics upon a phenomenological basis. This volume demonstrates that their contributions to a material ethics of value are complementary: by supplementing the work of one with that of the other, we obtain a comprehensive and defensible axiological and moral theory. By “phenomenology,” we refer to an intuitive procedure that attempts to describe thematically the insights into essences, or the meaning-elements of judgments, that underlie and make possible our conscious awareness of a world and the evaluative judgments we make of the objects and persons we encounter in the world.
Ethics and Phenomenology is a collection of essays that explore the relationship between moral philosophy and the phenomenological tradition. Phenomenology is a vast and rich philosophical tradition which seeks to explain how we perceive the world. This, in turn, involves questions about one's relationship to the world and how one both acts and should act in the world. For this reason phenomenology entails an ethics, even if such an ethics is not always apparent in the work of phenomenological thinkers . The book is devoted to two central tasks: Section One offers essays exploring the resources available to moral philosophy in the work of the major phenomenologists of the 20th-century, including Husserl, Heidegger, Merleau-Ponty, Sartre, and others. Part Two consists of essays demonstrating the way that the phenomenological method can facilitate advances in our thinking through the exploration of contemporary ethical issues, including environmentalism, intellectual property, parenting and others.
New investigations on the content, impact, and criticism of Aristotelianism in Antiquity, the Late Middle Ages, and modern ethics show that Aristotelianism is not an obsolete monolithic doctrine but a living and evolving tradition within philosophy. Modern philosophy and science are sometimes understood as anti-Aristotelian, and Early Modern philosophers often conceived their philosophical project as opposing medieval Aristotelianism. New Perspectives on Aristotelianism and Its Critics brings to light the inner complexity of these simplified oppositions by analysing Aristotle’s philosophy, the Aristotelian tradition, and criticism towards it within three topics – knowledge, rights, and the good life – in ancient, medieval, and modern philosophy. It explores the resources of Aristotle’s philosophy for breaking through some central impasses and simplified dichotomies of the philosophy of our time. Contributors are: John Drummond, Sabine Föllinger, Hallvard Fossheim, Sara Heinämaa, Roberto Lambertini, Virpi Mäkinen, Fred D. Miller, Diana Quarantotto, and Miira Tuominen
What is ‘the good’ of the film experience? And how does the budding field of ‘film as philosophy’ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the ‘film as philosophy’ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects – potential transformations of thought and experience – as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema – a cinemakeover ...
Although she never penned a text dedicated exclusively to ethics, Edith Stein’s work encompasses an implicit, but self-consciously developed, moral philosophy not yet sufficiently developed in the current English-language literature. However, comparison of Stein’s anthropological and metaphysical theories against the ethical philosophy of other early phenomenological thinkers, such as Max Scheler and Edmund Husserl, reveals lines of moral theory woven throughout her texts. In On the Ethical Philosophy of Edith Stein: Outlines of Morality, William E. Tullius endeavors to present a systematic account of Stein’s moral thought as it takes shape in conversation with neo-scholasticism and develops across her corpus in conversation with her philosophical anthropology, axiological theory, and metaphysics. The ethics which emerge from these sources is oriented around the moral project of the development of personality through the unfolding of one’s personal core and which entails a call to the development of an ethical community reflective of and oriented by its responsiveness to the highest values and to the communal destiny of all humanity in God
This is a comprehensive investigation into the theme of time in the work of Jacques Derrida and shows how temporality is one of the hallmarks of his thought. Drawing on a wide array of Derrida's texts, Joanna Hodge: compares and contrasts Derrida's arguments concerning time with those Kant, Husserl, Augustine, Heidegger, Levinas, Freud, and Blanchot argues that Derrida's radical understanding of time as non-linear or irregular is essential to his aim of blurring the distinction between past and present, biography and literature, philosophical and religious meditation, and the nature of the self explores the themes of death, touch and transcendence to argue that if considered under the theme of temporality there is more continuity to Derrida's thought than previously considered.
This collection of essays explores the conflictual history and future implications of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger.
This book presents a heuristic and critical study of comparative theology in engagement with phenomenological methodology and sociological inquiry. It elucidates a postcolonial study of religion in the context of multiple modernities.
Immanuel Kant’s work continues to be a main focus of attention in almost all areas of philosophy. The significance of Kant’s work for the so-called continental philosophy cannot be exaggerated, although work in this area is relatively scant. The book includes eight chapters, a substantial introduction and a postscript, all newly written by an international cast of well-known authors. Each chapter focuses on particular aspects of a fundamental problem in Kant’s and post-Kantian philosophy, the problem of the relation between the world and transcendence. Chapters fall thematically into three parts: sensibility, nature and religion. Each part starts with a more interpretative chapter focu...