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Does the Bible allow us to deceive? Is it ever right to lie? These are perennial questions that have been discussed and debated by theologians for centuries with little consensus. Entering this conversation, Just Deceivers provides a fresh analysis of this important topic through a comprehensive examination of the motif of deception in the books of Samuel. While many studies have explored deception in other Old Testament texts--especially the patriarchal narratives of Genesis--and a few articles have initiated examination of this motif in Samuel, Just Deceivers builds upon this groundwork and offers an exhaustive treatment of this theme in this important portion of the Hebrew Bible. Newkirk takes the reader through the books of Samuel, investigating every occurrence of deception in the narrative, exploring how the author depicts these various acts of deception, and then synthesizing the results to offer an exegetically based theology of deception. In so doing, this study both challenges commonly held views concerning the Bible's stance on falsehood and illustrates the importance of attending to the sophisticated literary character of biblical narrative.
The study examines cultural effects of various colonial systems of government in the Spanish- and French-speaking Caribbean in a little investigated period of transition: from the French Revolution to the abolition of slavery in Cuba (1789–1886). The comparison of cultural transfer processes by means of literary production from and about the Caribbean, embedded in a broader context of the circulation of culture and knowledge deciphers the different transculturations of European discourses in the colonies as well as the repercussions of these transculturations on the motherland’s ideas of the colonial other: The loss of a culturally binding centre in the case of the Spanish colonies – i...
Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.
Postgrowth Imaginaries brings together environmental cultural studies and postgrowth economics to examine radical cultural shifts sparked by the global financial crisis. The globalization of an economic culture addicted to constant growth destroys the ecological planetary systems while failing to fulfil its social promises. A transition toward what Prádanos calls ‘postgrowth imaginaries’—the counterhegemonic cultural sensibilities that are challenging the growth paradigm—is well underway in the Iberian Peninsula today.
“Terrific read. Stories of stolen valor you won’t believe, and those who hunt them down and participated in writing legislation to restore dignity to all those who have truly served in combat.” —Peter C. Lemon, recipient, Congressional Medal of Honor Stolen valor occurs when a person lies about receiving military decorations that he or she has in fact never earned. It has become a major societal problem that has been discussed numerous times in the news; according to the New York Times, the Department of Veterans Affairs paid disability benefits to more than six hundred people falsely claiming to have been POWs in the Vietnam and Persian Gulf wars. The number of stolen valor cases re...
During the first mandatory lockdowns of the Covid-19 pandemic, citizens worldwide turned to »pandemic fictions« or started to produce their own »Corona Fictions« across different media. These accounts of (previously) experienced or imagined health crises feature a great variety of protagonists and their (re)actions in response to the exceptional circumstances. The contributors to this volume take a closer look at different pandemic protagonists in fictional narratives relating to the Covid-19 pandemic as well as in existing pandemic fictions. Thereby they provide new insights into pandemic narratives from a cultural, literary, and media studies perspective from antiquity to today.
This book examines today’s massive migrations between Global South and Global North in light of Spain and Portugal’s complicated colonial legacies. It offers unique material on Spanish-speaking and Lusophone Africa in conjunction to transatlantic and transpacific perspectives encompassing the Americas, Asia, and the Caribbean. For the first time, these are brought together to explore how movement within and beyond these former metropoles came to define the Iberian Peninsula. The collection is composed of papers that study human mobility in Spanish-speaking or Lusophone contexts from a myriad of approaches. The project thus sheds critical light on migratory movement within the Luso-Hispanic world, and also beyond its traditional geo-linguistic parameters, through an eclectic and inter-disciplinary collection of essays, traversing anthropology, literary studies, theater, and popular culture. Beyond focusing solely on the geo-political limits of Peninsular space, several essays interrogate the legacies of Iberian colonial projects in a global perspective, and how the discursive underpinnings of these impact the politics of migration in the broader Luso-Hispanic world.
The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations.These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary ce...
An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu’s study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem.