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Set against the charms and vicissitudes of growing up in a family of musicians, Jodie Hollander’s beautifully-structured and compelling debut follows the story of a daughter’s maturing relationship with her mother.
Longlisted for Laurel Prize 2023. Set in a technicolour world of dreams, ghosts, classical music, and Key West storms, Jodie Hollander’s compelling second collection charts the emotional journey of the daughter of a professional classical pianist. These bold and arresting poems, rich with musicality, and fierce in their emotional honesty, chart the complicated repercussions of family dysfunction and musical obsession while traversing the landscape of the human condition and exploring the need for refuge in the natural world.
Celebrating the voices, current and past, that surface in lyric poetry
The Poetry Exchange is an award-winning podcast and project that celebrates the role poetry plays in people's lives. In their first anthology, Fiona Bennett and Michael Shaeffer draw on ten years of archival material to bring together a collection of poems chosen by readers that know them as friends, presented alongside their personal stories of connection. Featuring Brian Cox on John Clare, Andrew Scott on George Herbert, Maxine Peake on Tony Harrison and many more, in this gathering of poems you can reacquaint yourself with old friends, perhaps make some new ones, and enjoy the companionship poetry can offer us. Friends that offer connection and solidarity. Friends that help us wrestle with difficult things. Friends that name our experiences. Friends that comfort and help us move forward. Friends we admire.
'What a rich, strange and diverse lot these poems turned out to be ... I suspect that these baroque and potent imaginings can only have come into existence as fragments of dreams or nightmares.' - John Tranter In "The Best Australian Poems 2011," celebrated poet John Tranter selects the most vigorous, varied and interesting poems of the last year. This sparkling collection shines a light on the phantasmagorical nature of poetry, evoking images, transformations and events that range from the playful to the melancholy by way of exuberance and satire. Featuring award-winning poems alongside brand-new works, as well as a mix of emerging and renowned poets, this is a volume of surreal beauty and ...
Original and ambitious poetry that makes readers pay attention to the current conversation about the nature of lyric and human relationships in the 21st century.
The human desire for patterned language is as strong as the need for narrative.—Geoff Page In The Best Australian Poems 2015, you will find the who’s who of contemporary poets and the pick of new voices. Sometimes satirical, sometimes erotic, covering family, religion, war and mortality, Geoff Page’s selection celebrates the vital, the vigorous and the graceful voices that populate our poetry scene. Robert Adamson • Jordie Albiston • Judith Beveridge • Eileen Chong • Joe Dolce • Lin Van Hek • Nigel Roberts • Robyn Rowland • Jennifer Compton • Kevin Hart • Lisa Gorton • Clive James • Rozanna Lilley • Tony Page • Michael Sharkey • Chris Wallace-Crabbe • Fiona Wright • Jakob Ziguras • Les Murray • Fay Zwicky • Jamie Grant • Lucy Dougan • Ali Cobby Eckermann • Kevin Brophy • Billy Marshall Stoneking • Bruce Dawe • Anne Elvey • Geoff Goodfellow • Jennifer Maiden • AND MANY MORE . . .
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Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate.
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