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Landscape and the Environment in Hollywood Film
  • Language: en
  • Pages: 282

Landscape and the Environment in Hollywood Film

  • Type: Book
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  • Published: 2017-11-09
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  • Publisher: Springer

This book systematically explores how popular Hollywood film portrays environmental issues through various genres. In so doing, it reveals the influence exerted by media consolidation and the drive for profit on Hollywood’s portrayal of the natural landscape, which ultimately shapes how environmental problems and their solutions are presented to audiences. Analysis is framed by a consideration of how cultural studies can make more theoretical and practical room for environmental concern, thereby expanding its capacity for critical examination. The book begins by introducing the theoretical underpinning of the research as it relates to cultural studies, landscape, and genre. In the chapters that follow, each genre is taken in turn, starting with popular animated family films and progressing through spy thrillers, eco-thrillers, science fiction, Westerns, superhero films, and drama. This book is ideal for students and scholars in a variety of disciplines, including film, environmental studies, communication, political economy, and cultural studies.

Choice
  • Language: en
  • Pages: 644

Choice

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

The Architecture of Drama
  • Language: en
  • Pages: 209

The Architecture of Drama

Many of the world's greatest dramas have sprung not only from the creative impulses of the authors but also from the time-honored principles of structure and design that have forged those impulses into coherent and powerful insights. An understanding of these principles is essential to the craft of creating and interpreting works of drama for the stage or screen. The Architecture of Drama provides an introduction to these principles, with particular emphasis placed on how a drama's structural elements fit together to create meaningful and entertaining experiences for audiences. The book is arranged into five sections, each dealing with a separate component: _

Will There Really be a Morning?
  • Language: en
  • Pages: 330

Will There Really be a Morning?

"Acknowledged as one of the world's most beautiful women and critically acclaimed as an actress, Frances Farmer suddenly toppled from stardom and plunged headlong into the terror-ridden world of the insane. With uncomfortable candor she documents the brutal details of those isolated years in a mental hospital and her solitary struggle for reality.When she was released after seven years of horror...she gradually inched her way into a world she had never known- a world of lucidity and serenity. In the strength and calmness that surfaced during her final, physical illness, Frances Farmer reaffirmed that despite the twisted nightmare journeys, life itself is something of value and a reason for survival. Her unadorned, searing narrative was completed a few days before her death"--from jacket flaps.

Transmedia/Genre
  • Language: en
  • Pages: 177

Transmedia/Genre

This book brings genre back to the forefront of the current transmedia trend. Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena. Yet, few have considered how genre works in a multiplatform context. This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence. The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre. The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond. In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture.

Introduction to Production
  • Language: en
  • Pages: 292

Introduction to Production

Introduction to Production: Creating Theatre Onstage, Backstage, & Offstage defines the collaborative art of making theatre and the various job positions that go into realizing a production. Beginning with an overview of the art and industry of theatre, the book shows how theatre has evolved through history. The book then breaks down the nuts and bolts of the industry by looking at each professional role within it: from the topmost position of the producer down to the gopher, or production assistant. Each of these positions are defined along with their respective duties, rules, and resources that figure in obtaining these jobs. Each chapter offers exercises, links to videos and websites, review quizzes, and suggested readings to learn more about the creation and production of theatre.

Dramaturgi sandiwara
  • Language: id
  • Pages: 306

Dramaturgi sandiwara

History and criticism on folk drama of Minangkabau ethnic group in Sumatera Barat Province, Indonesia.

  • Language: de
  • Pages: 60

"The Walking Dead" - Horror, Drama oder Western? Eine Analyse

  • Type: Book
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  • Published: 2015-02-01
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  • Publisher: diplom.de

Zombie-Filme und -Serien sind natürlich dem Horror-Genre zuzuordnen. Oder? Was lange vollkommen fraglos war, wurde schon ab den 80ern mit der Entstehung der Zombie Romantic Comedy aufgeweicht. Das Genre der untoten Menschenfresser hat dabei vor allem George A. Romero mit seiner Living Dead-Reihe geprägt. Neuen Auftrieb erfährt das oft belächelte Genre seit einigen Jahren dank der Fernseh-Serie „The Walking Dead“, die vor allem in Amerika Quotenrekorde auf den Kabelsender aufstellt. Aber wie verhält Horror sich eigentlich in Serie? Wie kann man das Grauen über einen so langen Zeitraum aufrecht erhalten? Und welche anderen Genres lassen sich ausmachen? Ist es am Ende überhaupt „kl...

Music as a Chariot
  • Language: en
  • Pages: 393

Music as a Chariot

Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept—namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul—a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time.

The Image of Man in Selected Plays of August Wilson
  • Language: en
  • Pages: 182

The Image of Man in Selected Plays of August Wilson

  • Categories: Art
  • Type: Book
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  • Published: 2012-11-20
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  • Publisher: AuthorHouse

Wilson's approach can be seen as a communal romanticism, dealing with ordinary people, language, and problems, giving the priority to the feeling and human dignity over logic, power and money, putting freedom and equity as a pivotal concern, almost presenting women and children as victims, and highlighting the importance of heritage, identity, and culture. As his self-revision message, all those three plays demonstrate scenes of black self-review, showing the blacks' part of responsibility in the situation they live in. It is a project of self-rehabilitation for the blacks. Since American society is a multicultural spectrum, there is not any certain legibly ascribed American identity. That is why Wilson does not submit to the claims of the dominant cultural trend by some white critics like Brustein. Wilson confidently presents the blacks identity typified with self-fulfilment and contribution to the American culture, as his alternative contributory image of man against the white dominant models, or the violent black ones.