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White Bicycles
When Muddy Waters came to London at the start of the '60s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running the coolest club in London, the UFO; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd. More than any previous '60s music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. His greatest coup is bringing to life the famously elusive figure of Nick Drake - the first time he's been written about by anyone who knew him well. As well as the '60s heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, The Incredible String Band to Fairport Convention.
Entitlement
In this important work of legal, political, and moral theory, Joseph William Singer offers a controversial new view of property and the entitlements and obligations of its owners. Singer argues against the conventional understanding that owners have the right to control their property as they see fit, with few limitations by government. Instead, property should be understood as a mode of organizing social relations, he says, and he explains the potent consequences of this idea. Singer focuses on the ways in which property law reflects and shapes social relationships. He contends that property is a matter not of right but of entitlement—and entitlement, in Singer’s work, is a complex acco...
Love + Marriage = Death
A pioneering interdisciplinary scholar examines the roles of images in the construction of stereotypes of the Jew’s body in 20th-century art and literature.
Publishing Lives
In Publishing Lives, publishers from 31 independent presses talk about how they came to publishing and why they stayed ( or didn't), the mistakes they made, their relationships with authors, the problems of growth, definitions of success, why they do or do not seek grants, their relationships with distributors, bookstores, New York and Toronto, and each other. More than just a directory, Publishing Lives presents these publishers as the spiritual heirs of the nineteenth-century founders of the great New York houses.
Absence / Presence
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate t...
Complex Identities
Focusing on 19th-and 20th-century European, American and Israeli artists, the contributors explore the ways in which Jewish artists have responded to their Jewishness and to the societies in which they lived (or live), and how these factors have influenced their art, their choice of subject matter, and presentation of their work.
Curveball
A star rookie pitcher is making a statement in his first major league season—but will the secret he’s been keeping derail everything he’s been working toward? “Eric Goodman’s Curveball dwells in its details in the most fascinating way—and it reaches far beyond its baseball setting to become a first-rate intergenerational drama as well as a delightful read.” —T.C. Boyle “Goodman does a fine job depicting the conflicts of a young player… In this knowing, compelling novel…” —George Vecsey, georgevecsey.com Jess Singer, pitching prodigy and son of the infamous Jewish Joe Singer—who starred on the mound for the same MLB team twenty-five years earlier—is blessed with ...
The Restless Generation: How Rock Music Changed the Face of 1950s Britain
It was our version of a Hollywood epic, shot in black and white over a ten year period, with no script and a cast of thousands who had to make it up as they went along. Tommy Steele, Cliff Richard, Lonnie Donegan, Terry Dene, Marty Wilde, Mickie Most, Lionel Bart, Tony Sheridan, Billy Fury, Joe Brown, Wee Willie Harris, Adam Faith, John Barry, Larry Page, Vince Eager, Johnny Gentle, Jim Dale, Duffy Power, Dickie Pride, Georgie Fame and Johnny Kidd were just a few of those hoping to see their name in lights. From the widescreen perspective of one who watched the story unfold, Pete Frame traces the emergence of rock music in Britain, from the first stirrings of skiffle in suburban pubs and jazz clubs, through the primitive experimentation of teenage revolutionaries in the coffee bars of Soho, to the moulding and marketing of the first generation of television idols, and the eventual breakthrough of such global stars as the Beatles and the Rolling Stones. Castic and irreverent, but authoritative and honest, this is the definitive story.
