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Cultural Identity In Transition Analyses The Challenges That Globalisation And Modernisation Have Brought To Cultural Identity In Recent Years. This Collection Of Articles Highlights Some Of The Central Theoretical Ideas And Models Currently Used In The Analysis Of Cultural Identity In The Social And Cultural Sciences.While The Book S Main Regional Focus Is On Northern Europe, This Is Complemented By Several Case Studies Addressing Issues Of Cultural Identity In Indigenous And Ethnic Communities, In Literary And Artistic Expression, And In Terms Of National Politics Around The World.The Book Discusses In Detail The Questions Like : What Is At Stake In The Global Culture Industry In Terms Of Cultural Identity? How Do The Internet And Information Technology In General Empower Local Communities? What Kinds Of Political Struggles And Conflicts Can Be Associated With The Processes Of Cultural Identity? Cultural Identities Are In Transition, But In What Direction Are They Moving?Cultural Identity In Transition Will Be Essential Reading For University Students And Researchers In Sociology, Anthropology, And Cultural And Literary Studies.
In this era of increasing global mobility, identities are too complex to be captured by concepts that rely on national borders for reference. Such identities are not unified or stable, but are fluid entities which constantly push at the boundaries of the nation-state, thereby re-defining themselves and the nation-state simultaneously. Contemporary literature pays specific attention to internal and external notions of belonging ("Politics of Motion") and definitions of self resulting from interpersonal relationships ("Politics of Longing"). This collection looks at texts by authors who are British, American, or Canadian, but for whom a self-definition according national parameters is insufficient.
Taking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at...
About the book The book is a compact and authoritative study of the female characters in Deshpande's novels from psychoanalytical point of view using mainly Karen Horney's theory of neurosis and the theories of a few other Western feminist theorists and feminist psychoanalysts such as Carol Gilligan, Virginia Woolf, Nancy Chodorow, Sandra Gilbert and Susan Gubar, Juliet Mitchell, Luce Irigaray, Helene Cixous and Julia Kristeva. These theories attempt to trace the causes of conflicts and neuroses in women, their coping strategies, their self-analyses and their journey towards reconciliation when they start articulating their individual urge and asserting their selves not only as daughters, wives and mothers but also as autonomous and self-actualized women. Thorough in content, stimulating in approach, here is an invaluable companion to Deshpande's texts.
This volume is a blend of language and literature papers highlighting linguistic functionality and topicality in poetry, novels, translation and education. It sheds light on the fictionalised reality of a strained official linguistic cohabitation in Cameroon as instantiated in present-day colonial legacy claims. It deals with issues of translation as a stylistic exercise whereby the translator has some creativity licence when rendering the source text into the target language, thus embracing Skopos theory’s view of translation as a purposeful activity determined by the target text and audience. This book also looks at an educational conception of translation as opposed to a professional tr...
In Salman Rushdie’s novels, images are invested with the power to manipulate the plotline, to stipulate actions from the characters, to have sway over them, seduce them, or even lead them astray. Salman Rushdie and Visual Culture sheds light on this largely unremarked – even if central – dimension of the work of a major contemporary writer. This collection brings together, for the first time and into a coherent whole, research on the extensive interplay between the visible and the readable in Rushdie’s fiction, from one of the earliest novels – Midnight’s Children (1981) – to his latest – The Enchantress of Florence (2008).
In a nuanced consideration of the Cameroonian experience, Yearning for (Dis) Connections makes critical interventions into debates about coexistence, citizenship, identity formation and performance, democracy and modernity in Cameroon. The essays in the book ranges across Francophone and Anglophone Cameroons to provide a challenging assessment of the common ways of writing and thinking for and of and about the Cameroonian world. The book criticises the blinders of Cameroon's Francophonecentred leadership, analysing its failure to heed Anglophone Cameroon's ontological and epistemological critiques of Cameroon's ongoing exclusions masked by pretences of a Francophone universalism. Yosimbom us...
Shashi Deshpande is one of the most fascinating writers in the genre of Indian English writing to have addressed problems and issues related to women and society, breaking the traditional image of a woman as a daughter, wife or mother, exploring the inner psychological conflicts of a woman and making her women characters emerge as self-dependent individuals with a space of one’s own. Through her bunch of wonderful novels Shashi Deshpande aims to highlight that everyone in this society should be treated as equals, as human beings; there should not be any compartmentalization on the basis of gender. Women should be given equal opportunity and weightage at par with men. This is possible only ...
Seeking the Self – Encountering the Other offers new insights into diasporic experiences, encounters and representations. This collection of texts examines diaspora narratives and the ways in which different encounters with the other are represented, as well as how these encounters might be read and interpreted in ethical terms. The anthology explores questions of ethics in narratives of displacement or belonging, nationalist narratives of exclusion and borderline narratives, constructed on the foundation provided by encounters with the cultural, sexual, gendered and ethnic other. The contributors’ aim is to explore questions of responsibility and ethics in the study of diaspora, migration, and alterity from a wide range of perspectives. Following a Levinasian one, if the other is always ultimately transcendental and ungraspable through language, we are required to consider ethics every time we write, read or interpret an encounter with the other.
This book undertakes an exploratory exercise in decolonizing criminology through engaging postcolonial and postdisciplinary perspectives and methodologies. Through its historical and political analysis and place-based case studies, it challenges criminological inquiry by installing colonial structures of power at the centre of the contemporary criminological debate. This work unseats the Western nation-state as the singular point of departure for comparative criminological and socio-legal research. Decolonising Criminology argues that postcolonial and postdisciplinary critique can open up new pathways for criminological investigation. It builds on recent debates in criminology from outside of the Anglosphere. The authors deploy a number of heuristic devices, perspectives and theories generally ignored by criminologists of the Global North and engage perspectives concerned with articulating new decolonised epistemologies of the Global South. This book disputes the view that colonisation is a thing of the past and provides lessons for the Global North.