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A COISA JULGADA PREVIDENCIÁRIA POR AUSÊNCIA DE PROVA E OS PRECEDENTES VINCULANTES
O presente trabalho evidencia o direito brasileiro como um sistema híbrido entre o denominado “civil law” e “common law”, demonstrando a valorização dos precedentes judiciais no ordenamento jurídico brasileiro. A partir da leitura do art. 927, “caput”, do Código de Processo Civil de 2015, que determina a observância dos precedentes por juízes e tribunais, procura-se oferecer ao leitor uma correta interpretação do alcance da palavra “observarão” empregada no sobredito dispositivo legal, determinando-se o seu real alcance vinculativo em relação à Administração Pública, notadamente quando demandada em Juízo. No primeiro capítulo discorre-se sobre a natureza jur...
Comentários à Recomendação n.º 134 do CNJ
No dia 12 de setembro de 2022 foi publicada pelo CNJ a recomendação n. 134. Ela é, em poucas palavras, uma sugestão de boas práticas para o adequado tratamento dos precedentes no direito brasileiro. É evidente que o direito brasileiro vem caminhando, cada vez mais, no sentido de valorizar os precedentes. No entanto, trata-se de uma forma de raciocinar diferente daquela necessária para a atuação com os textos normativos como as leis ordinárias e a constituição. Nesse sentido, a recomendação visa indicar a forma adequada de lidar com esses novos institutos. É preciso reconhecer que o foco da recomendação está nos incidentes voltados para a formação de precedentes (Incidente...
Keyboard Music Before 1700
This series presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume offers chapters exploring principal composers and their works, as well as contextual essays. Written by eminent music scholars, generously illustrated with musical examples, and furnished with suggested bibliographies, Routledge Studies in Musical Genres provide readable yet informative surveys for music lovers and dedicated musicians alike. Book jacket.
NanoBioMedicine
This book provides a comprehensive overview of the recent trends in various Nanotechnology-based therapeutics and challenges associated with its development. Nanobiotechnology is an interdisciplinary research that has wide applications in the various fields of biomedical research. The book discusses the various facets of the application of Nanotechnology in drug delivery, clinical diagnostics, Nanomedicine and treatment of infectious and chronic diseases. The book also highlights the recent advancements on important devices and applications that are based on Nanotechnology in medicine and brief the regulatory and ethical issues related to nanomedical devices. It also reviews the toxicological profile of various nanomaterials and emphasizes the need for safe nanomaterials for clinical use. Finally, the book discusses the recent developments of potential commercial applications of Nanotechnology.
Nineteenth-Century Chamber Music
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
The Indian Ocean Tsunami
The Indian Ocean tsunami of December 2004 is considered to have been one of the worst natural disasters in history, affecting twelve countries, from Indonesia to Somalia. 175,000 people are believed to have lost their lives, almost 50,000 were registered as missing and 1.7 million people were displaced. As well as this horrendous toll on human life
Tides and Waves
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Nineteenth-Century Piano Music
First Published in 2004. 19th-Century Piano Music focuses on the core composers of the 19th-century repertoire, beginning with 2 chapters giving a general overview of the repertoire and keyboard technique of the era, and then individual chapters on Beethoven, Schubert, Weber, Mendelssohn, Chopin, Schumann, Brahms, Liszt, and the women composers of the era, particularly focusing on Fanny Hensel and Clara Schumann.
