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Performance and the Afterlives of Injustice
In the aftermath of state-perpetrated injustice, a façade of peace can suddenly give way, and in South Africa and the Democratic Republic of Congo, post-apartheid and postcolonial framings of change have exceeded their limits. Performance and the Afterlives of Injustice reveals how the voices and visions of artists can help us see what otherwise evades perception. Embodied performance in South Africa has particular potency because apartheid was so centrally focused on the body: classifying bodies into racial categories, legislating where certain bodies could move and which bathrooms and drinking fountains certain bodies could use, and how different bodies carried meaning. The book considers...
100 Years of Radio in South Africa, Volume 1
The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years. The publication will add to the existing body of knowledge on radio in this context by being among one of the few to consider radio broadcasting in South Africa. Essentially, the book will make a distinct contribution by providing the following: a historical account of the development of the sector, an in-depth look at some of the key people and institutions that have shaped the sector, and a critique of the medium’s role in community-building and culture making among others. While the book will provide relevant theoretical frameworks, it also aims to include the voices of media practitioners who can reflect on the importance of this medium from a more realistic perspective. Volume 1 focuses on South African radio stations and broadcasters in the past and present.
Government Gazette
None
China, India and the Eastern World
Bernth Lindfors, Ira Aldridge: The Last Years, 1855-1867 -- Paul Schauert, Staging Ghana: Artistry & nationalism in state dance ensembles -- Maëline Le Lay, 'La parole construit le pays': Théâtre, langues et didactisme au Katanga (République Démocratique du Congo) -- Benita Brown, Dannabang Kuwabong & Christopher Olsen, Myth Performance in the African Diasporas: Ritual, theater, and dance -- S.A. Kafewo, T.J. Iorapuu & E.S. Dandaura (eds), Theatre Unbound: Reflections on Theatre for Development and Social Change - A festschrift in honour of Oga Steve Abah -- Hakeem Bello, The Interpreters: Ritual, Violence and Social Regeneration in the Writing of Wole Soyinka -- Five plays: Ekpe Inyang, The Swamps -- Augustine Brempong, The King's Wages -- Denja Abdullahi, Death and the King's Grey Hair and Other Plays -- Books received and noted
Megaboere
Megaboere, kykNET se gewilde reeks oor suksesvolle boere in Suid-Afrika, het kykers reeds vir drie seisoene vasgenael gehou. In hierdie boek neem Wynand Dreyer, medevervaardiger van die reeks, en sy produksiespan jou na die plaaseienaars op wie die kollig tot dusver in die reekse geval het. Hy bied nie net interessante profiele oor gevestigde en opkomende boere met uitsonderlike ondernemingsgees nie; hy probeer die suksesresep ontrafel wat hedendaagse boere in staat stel om die aarde op volhoubare wyse te benut. Of jy self aan die stuur van ’n boerderyonderneming staan en of jy bloot nostalgies voel oor jou voorgeslagte se geskiedenis wat op boereplase beslag gekry het, een ding is seker: jy sal verwonderd staan oor die kreatiwiteit en vernuf wat dit verg om Suid-Afrika se voedselmandjie vol te hou. Volg vir Wynand op paaie wat lei tot die verste uithoeke van die land en ontdek die grondbeginsels wat van boere pro-aktiewe entrepreneurs en sakemanne met visie maak.
Stilspraak
Stilspraak, Strijdom van der Merwe en Landkuns is ’n populêr-wetenskaplike kunsboek en bestaan uit drie hoofafdelings. Die geskiedenis van landkuns wat in deel een bespreek word kom uit twee lande, naamlik die Verenigde State van Amerika (VSA) en Nederland. Ten eerste is dit ’n momentopname van landkuns aan die begin van die een-en-twintigste eeu en word Van der Merwe vervolgens met hierdie publikasie geplaas binne die internasionale konteks van landkuns.
Blood Orange
DIVDIVTroy Blacklaws’s follow-up to his internationally acclaimed Karoo Boy is the bittersweet tale of a South African boy coming of age during apartheid/divDIV Gecko’s childhood is one of sheltered, almost magical innocence on a farm in Natal. He spends his days taking barefoot expeditions with his dogs and his nights listening to Springbok Radio, unaware of the cruel force in his life that apartheid will soon become. With the start of high school in the Cape, Gecko is thrust into a political and personal awakening that is both tragic and heartfelt. With conscription into the South African army looming over him, Gecko’s future is as uncertain as his country’s. Blood Orange evokes the absurdity, longing, and fear of growing up white in the last decades of apartheid./div/div
Performing Whitely in the Postcolony
What does it mean to perform whiteness in the postcolonial era? To answer this question—crucial for understanding the changing meanings of race in the twenty-first century—Megan Lewis examines the ways that members of South Africa’s Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony. The nation’s first European settlers and in the twentieth century the architects of apartheid, since 1994 Afrikaners have been citizens of a multicultural, multilingual democracy. How have they enacted their whiteness in the past, and how do they do so now when their privilege has been deflated? Performing Whitely examines the multip...
Politeia
English and Afrikaans with abstracts in English.
