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The Royal Society and the Discovery of the Two Sicilies
This book illuminates a lesser-known aspect of the British history of travel in the Enlightenment: that of the Royal Society’s special contribution to the “discovery” of the south of Italy in the age of the Grand Tour. By exploring primary source journal entries of philosophy and travel, the book provides evidence of how the Society helped raise the Fellows’ curiosity about the Mediterranean and encouraged travel to the region by promoting cultural events there and establishing fruitful relations with major Italian academic institutions. They were especially devoted to revealing the natural and artistic riches of the Bourbon Kingdom from 1738 to 1780, during which the Roman city of Herculaneum was discovered and Vesuvius and Etna were actively eruptive. Through these examples, the book draws attention to the role that the Royal Society played in establishing cultural networks in Italy and beyond. Tracing a complex path starting in Restoration times, this new insight into discourse on learned travel contributes to a more challenging vision of Anglo-Italian relations in the Enlightenment.
Sober, Strict, and Scriptural: Collective Memories of John Calvin, 1800-2000
Calvinism’s influence and reputation have received ample scholarly attention. But how John Calvin himself – his person, character, and deeds – was remembered, commemorated, and memorialized, is a question few historians have addressed. Focussing on the nineteenth and twentieth centuries, this volume aims to open up the subject with chapters on Calvin’s monumentalization in statues and museums, his appearance in novels, children’s books, and travel writing, his iconic function for Hungarian nationalists and Presbyterian missionaries to China, his reputation among Mormons and freethinkers, and his rivalry with Michael Servetus in French Protestant memory. The result is a fresh contribution to the field of religious memory studies and an invitation to further comparative research. Contributors include: R. Bryan Bademan, Patrick Cabanel, R. Scott Clark, Thomas J. Davis, Stephen S. Francis, Joe B. Fulton, Botond Gaál, Stefan Laube, Johan de Niet, Herman Paul, James Rigney, Michèle Sacquin, Jonathan Seitz, Robert Vosloo, Bart Wallet, and Valentine Zuber.
The Belvedere: 300 Years a Venue for Art
Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world’s first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : W...
A New Copernican Turn
This short book discusses the latest in terms of cosmology’s knowns and unknowns and sets out to ascertain the potential of Orthodox Christian theology for accommodating the current scientific view of the universe. It also addresses one of cosmology’s unknowns, the destiny of the self in the vastness of space, a topic that has caused angst since the dawn of modern science. The book examines, accordingly, the signs of a “New Copernican Turn” within contemporary culture, favouring the self and its meaningful encounters with the infinite universe, at the forefront of which being the quest for a physics that views something akin to the self as undergirding reality, not as an inconsequential byproduct of natural phenomena. The book further shows that theological, spiritual, and religious forms of nature contemplation and wonder facilitate the self’s creative intersection with the universe. It amounts to an exercise in science-engaged Orthodox theology that takes contemporary cosmology as a starting point. The intended audience of this book is scholars and researchers of science and religion, religious studies, philosophers, and theologians.
The Works of Samuel Johnson, Volume 20
The next volume in the distinguished Yale Edition of the Works of Samuel Johnson comprises prefaces, proposals, dedications, appeals, and other works that Johnson wrote for friends and acquaintances. The English critic, biographer, and poet Samuel Johnson was among the most influential figures of the eighteenth century. This twentieth and final volume of the Yale Edition of the Works of Samuel Johnson presents the author's occasional writings, including prefaces, proposals, dedications, introductions, book reviews, public letters, appeals, and school exercises. Notably, it includes the letters and addresses that Johnson wrote for the convicted clergyman William Dodd. Edited by O M Brack, Jr., and Robert DeMaria, Jr., this volume brings a treasure trove of Johnson's lesser-known writings to a contemporary audience.
Enlightenment Orpheus
The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on musi...
Nostalgia in the Early Modern World
How can the concept of nostalgia illuminate the culturally specific ways in which societies understand the contested relationship between the past, present, and future? The word nostalgia was invented in the late seventeenth century to describe the debilitating effects of homesickness. Now widely defined as a sense of longing for a lost past, initially it was more closely linked with dislocation in space. By exploring some of its many textual, visual and musical manifestations in the tumultuous period between c. 1350 and 1800, this volume resists the assumption that nostalgia is a distinctive by-product of modernity. It also forges a fruitful link between three lively areas of current schola...
The Language of the Muses
Since the Renaissance, it has been generally accepted that almost all Roman sculptures depicting ideal figures were copies of Greek originals. This text traces the origin of this idea to the academic belief in the mythical perfection of now-lost Greek art.
