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Edges of Empire
Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.
Living in the Ottoman Lands: Identities Administration and Warfare
The long and elaborate past of the Ottoman Empire, encompassing a wide geographical area, presents a mosaic of knowledge and acquisition of experience. Upon this complicated and plural nature, Ottoman history looks like a puzzle that requires a wealth of skills and approaches to decipher. The foremost step to achieve this sophisticated task is to go beyond the borders of formalistic narratives and gain a multiplicity of perspectives through collaborative studies. This book is one of the outputs of such cooperation toward a more comprehensive Ottoman historiography. The first part, entitled “Religious Identities, Intercommunal Relations and Social Life”, focuses on the communal structure ...
Painting the Sacred in the Age of Romanticism
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious id...
"The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present "
A novel investigation into art pedagogy and constructions of national identities in Britain and Ireland, this collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fuelled the individual creativity of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Case studies examined in...
Women as Portrayed in Orientalist Painting
Of all the customs and traditions concerning the lives of oriental women, the harem is probably the most familiar and least understood in the West. Over 150 orientalist painters, both prestigious and less known, are brought together in this book as individual monographs.
Entertainment Among the Ottomans
Approaching Ottoman social history through the lens of entertainment, this volume considers the multi-faceted roles of entertainment within society. At its most basic level entertainment could be all about pleasure, leisure and fun. But it also played a role in socialisation, gender divisions, social stratification and the establishment of moral norms, political loyalties and social, ethnic or religious identities. By addressing the ways in which entertainment was employed and enjoyed in Ottoman society, Entertainment Among the Ottomans introduces the reader to a new way of understanding the Ottoman world. Contributors are: Antonis Anastasopoulos, Tülay Artan, Ebru Boyar, Palmira Brummett, Kate Fleet, James Grehan, Svetla Ianeva, Yavuz Köse, William Kynan-Wilson, Milena Methodieva and Yücel Yanıkdağ.
Portrait of the Artist
The first exhibition to focus on images of artists from within the Royal Collection, 'Portrait of the Artist' not only show-cases self-portraits by world-renowned artists including Rembrandt, Rubens, Artemisia Gentileschi, Lucian Freud and David Hockney but also features images of artists by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo da Vinci by his student, Francesco Melzi. Well-known self-portraits intended to advertise the artist's talents will be shown alongside more intimate and personal works. The exhibition will examine a range of themes played out within these objects, from the 'cult' of the artist to the symbolism evoked through images of the artist's studio. The changing status of the artist over the centuries is another theme and the way in this is conveyed, both in the physical works and in the relationships between artist and patron will be highlighted. The role of monarchs in commissioning, collecting and displaying portraits of artists will also be discussed.
World History and the Eonic Effect
At a time when theories of evolution are undergoing renewed controversy, the study of the Eonic Effect can break the deadlock, by looking at world history in the light of evolution. The assumption that evolution occurs at random is the crux of the dispute, and one confused with issues of religion and secularism. We can detect a non-random pattern in the record of civilization itself, to see evolution in action on a stupendous scale. We live in the first generations with enough data to detect this phenomenon. In the confusion of evolutionary theories, the unexpected discovery of deep level structure can allow us to deconstruct fl at history, and assess claims of directionality in evolution. In the process the theory of natural selection applied to human evolution is seen to fail a photo finish test. The book provides a new model for the study of the overlap of history and evolution, and a critique of current views of the descent of man.
Greek Treasures
"The objects include marble and clay figurines, ceramics, gold jewellery and statuary fragments from prehistoric to Roman times, artefacts, jewellery, painted icons, ecclesiastical metalware and embroidery from Byzantine and Post-Byzantine periods, Neohellenic household embroideries, jewellery, costumes and ornate weapons, watercolours and oil paintings by European painters of the nineteenth century."--Jacket.
