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The Legacy of Johann Strauss
Zoë Alexis Lang explores constructions of twentieth-century Austrian identity through an examination of commentary on Johann Strauss, Jr's waltzes.
The Best of Johann Strauss, Jr. Waltzes
Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: * Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.
The Best of Johann Strauss, Jr. Waltzes
Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: * Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.
Wine, Women & Waltz
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Johann Strauss
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The Legacy of Johann Strauss
Zo1/2 Lang explores constructions of twentieth-century Austrian identity through an examination of commentary on Johann Strauss, Jr's waltzes.
Wine, Women and Waltz
This is a new release of the original 1933 edition.
Johann Strauss and Vienna
The transformation of Vienna and the Habsburg Empire at the end of the nineteenth century was accompanied by the development of a new musical genre, Viennese operetta, and no composer was better suited than Johann Strauss to express his native city's pride and anxiety during this period. Camille Crittenden provides an overview of Viennese operetta, then takes Strauss's works as a series of case studies in the interaction between stage works and audience. The book also examines Strauss's role as national icon during his lifetime and throughout the twentieth century.
