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Mary Shelley
This study focuses on the entirety of Mary Shelley's work, rather than simply discussing Frankenstein. It opens with a biographical chapter, then covers Shelley's work in poetry and drama: Frankenstein and The Last Man as protoscience fiction; historical fiction and tales; non-fiction and literary criticism; domestic sentimental fiction; and travel writing. It sets these works within the cultural context of the politics, sexual politics, and transformation of genres in nineteenth century Britain, and establishes Mary Shelley as a major literary figure who excelled in a variety of genres.
Frankenstein
Revised to reflect critical trends of the past 15 years, the third iteration of this widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender/queer, postcolonial, and cultural studies perspectives. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms. In the third edition, three of the six essays are new, representing recent gender/queer, postcolonial, and cultural theories. The contextual documents have been significantly revised to include many images of Frankenstein from contemporary popular culture.
Frankenstein
Presents a collection of writings exploring the characters from Mary Shelley's Frankenstein.
Rooms of Wonder
From bestselling author Johanna Basford, a stunning new coloring book that invites artists to explore the great indoors Through her bestselling coloring books and distinctive illustrations, Johanna Basford's beautiful forests, ocean depths, and hidden magical kingdoms have enchanted millions of people around the world. In this newest work, Basford takes her audience indoors, inviting them to explore the wonders of the worlds within. Hidden within every illustration in Rooms of Wonder is a secret key and a locked door. Find the key, unlock the door and continue to the next room. Discover a busy craft studio, a wizard’s workshop, a mouth-watering ice cream parlour and an opulent banquet hall. With hidden treasures, curious spaces and a few enchanted interiors, all you need to do is unlock the first door and begin your magical journey. Now printed on a new snowy white paper, to allow for more vibrant coloring, but still with enough texture to blend and create wonderful colored pencil effects.
The Night Before Christmas in Michigan
This season brings three new titles to our successful line of Night Before Christmas books. Now, it's a snap to find a fun, affordable, holiday gift for friends and family in Idaho, Michigan, and New England. Brighten the holiday season with a personal touch for all your friends and relatives.
Rich and Strange
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, ne...
Mother Night
“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all. “A great artist.”—Cincinnati Enquirer “A shaking up in the kaleidoscope of laughter . . . Reading Vonnegut is addictive!”—Commonweal
Heart of Darkness - Ed. Goonetilleke - Second Edition
The story of Marlow travelling upriver in central Africa to find Kurtz, an ivory agent as consumed by the horror of human life as he is by physical illness, has long been considered a classic, and continues to be widely read and studied. This edition, edited by one of the leading figures in ‘the Conrad controversy,’ includes an introduction and explanatory notes, as well as a fascinating variety of contemporary documents that help to set this extraordinary work in the context of the period from which it emerged. The introduction and bibliography have been updated, and two new appendices have been added; the second of these is a selection of Alice Harris’s extraordinary but little-known photographs documenting the horrors of colonialism in turn-of-the-century Congo.
Frankenstein - Third Edition
D.L. Macdonald and Kathleen Scherf’s edition of Frankenstein has been widely acclaimed as an outstanding edition of the novel—for the general reader and the student as much as for the scholar. The editors use as their copy-text the original 1818 version, and detail in an appendix all of Shelley’s later revisions. They also include a range of contemporary documents that shed light on the historical context from which this unique masterpiece emerged. New to this edition is a discussion of Percy Shelley’s role in contributing to the first draft of the novel. Recent scholarship has provoked considerable interest in the degree to which Percy Shelley contributed to Mary Shelley’s original text, and this edition’s updated introduction discusses this scholarship. A new appendix also includes Lord Byron’s “A Fragment” and John William Polidori’s The Vampyre, works that are engaging in their own right and that also add further insights into the literary context of Frankenstein.
The Philosophy of Horror
Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes o...
